what he must.”
“Let you into the Parliament, you mean,” Mattie said. “You could’ve used explosives.”
Iolanda shook her head. “Too many valuable documents in there,” she said. “Besides, if we want people to turn to our side, we will have to take the seat of legitimate power, not destroy it.”
Mattie suspected that Iolanda was not exactly lying, but simply not telling the whole truth. The rebels wanted the support of the ruling party, however fleeting and limited. Legitimizing one in the eyes of the populace was a familiar concern—the mechanics always talked about it at their meetings, as did the alchemists, but usually such talks happened before the election. Mattie was surprised to learn that a violent overthrow was not free of such considerations either.
They did not dare to approach the Grackle Pond, where musket shots resonated among the gutted buildings, abandoned by their wealthy owners. Mattie thought that everyone who was able to had moved on by now, and only the poor and the stubborn remained behind. This is why it was so quiet—what few people still remained in the city were not venturing into the streets without acute necessity. The winners would have an empty, mutilated city to govern, and Mattie could not imagine why anyone would want that.
They stopped in the street not far from the pond, and Iolanda crouched down and shook the homunculus out of its vitreous prison. It landed on a pavement with a wet thwack, and stood on its soft boneless legs and burbled. “Go,” Iolanda commanded. “Go and bring him to me.”
The homunculus departed toward the sound of the shots and the hulking gray structure standing in the distance, on the far shore of the pond, the outlines of which Mattie could not quite make out due to dust and smoke in the air. She only tasted warm metal and tired flesh, gunpowder and crumbling stone. “What do we do now?” she asked Iolanda.
“We wait for your master,” Iolanda answered. “Our troops were instructed to let him pass through unharmed.”
The people settled on the steps of the buildings and on the pavement. As much as Mattie missed the habitual bustle of the city, she only wished to see Loharri for the last time, to get her key, and to go home. She pictured in her mind her small apartment nestled under the roof that got so hot in the summer. She missed the long bench with all of her painstakingly collected equipment, and she worried that the sheep’s eyes, pickled as they were, would go bad in the heat. She missed the constant slamming of the door in the apothecary downstairs, the squeaking of the steps announcing a client. She missed having no other concerns but missing a deadline on a potion for an important client, or hunting down an obscure recipe. There was simplicity in her life as it used to be, and she longed for its return.
We watch the spiders as they crawl through the streets, endlessly fascinating and pitiful. We follow them, trying to reconcile the vision of the children as they used to be with the deformed creatures down below, sifting through the piles of garbage and dead bodies. With most of the automatons destroyed, they took on their jobs—sorting and cleaning, collecting what could be saved and piling the rest into heaps and burning it. Fires smolder low, bringing with them a surprising, gentle reminder of autumnal leaves and bitter fall air.
We fear that they will be forgotten and cast aside soon—they are not as useful as the able-bodied men with dark faces and pale eyes who came from the mines, their stained clothes overlaying bulging shoulders and thick arms. We fear that the spiders will forever sift through refuse, unable to do much else, and we resolve to protect them as much as we can.
We follow them through the streets that were recently abandoned by the fighters, where bodies can still be found, lying face down or face up; we prefer the former as do the spiders—they always roll the dead on their stomachs before going through their pockets and collecting things the dead don’t really need. Then they drag them to the heaps that will become bonfires soon.
The surface of the Grackle Pond is sleek and gray, just like the sky above it, just like the fortifications erected on its distal shore. It is quiet now, and it looks deserted—we almost believe the illusion, even though we know there are people crouching behind the barricades, some