of subway routes in Mark Spitz’s estimation, hallowed meridian of Manhattan Island. When the two sweeper units arrived at the uptown side of Canal, the yellow tile of the station entrance generated a familiar calm in him. During his first teenage missions in the New York City underground, the steps leading to a subway platform offered refuge from the madness of the streets above, sparing him the skyscrapers’ indictment of his shabby suburban self and the constant jostling of strangers, who cut him off, scowled at his tentative steps, tried to puncture his eyeballs with their umbrella spokes and render him defenseless so they could devour him. He caught his breath on the platforms and furtively checked the transit-authority app on his phone so that no one would know he didn’t have a clue of where he was going. He was a rube, but he was no tourist. One day he’d live here and be one of their tribe. Mark Spitz got out at his stop, at some part of the city he’d never been before, to complete the assignment given by a website—in search of imported sneakers or limited-edition hoodies—eager to school himself in this new cranny of the city.
Back then, if the worst happened, his phone would transmit the coordinates of his murdered body to the satellite and back down to the authorities and eventually to his parents on Long Island. What a quaint notion, to die while looking for cool T-shirts.
The sweepers unlocked the gates and gained the platform. They did not speak. They tightened the straps of their night-vision goggles and waited for their eyes to recalibrate to a new, murky-green modality that made them into scrabbling things at the bottom of a deep-sea chasm. It was as the Lieutenant described it: a decrepit dungeon, with a slow, miasmal atmosphere and secret topography. Trevor said, “Looks like we just missed the train,” and they laughed and walked over to the hooked ladder at the south end of the platform.
Gamma was a unit of mellow bandwidth, third-generation potheads to a man, who couldn’t wait for the new era of marijuana tolerance sure to come in reconstruction, the legislative no-brainers and utopian buds. “When we put it all back together, we will institutionalize joy,” Foreskin said, “for the medicinal toke is the balm of oblivion.” Richard Cowl, a.k.a. Dick Cowl, a.k.a. Foreskin, was Gamma’s leader and a former sommelier at a high-end novelty eatery in Cambridge that specialized in offal. “Which is sort of amusing, given the skel’s yen for human entrails. They’re my regulars!” Even in these times of scarcity he was a vegetarian. He never sampled the exotic delicacies on his employer’s menu but accomplished a mean pairing nonetheless. According to him, at any rate—pre-plague triumphs were often exaggerated, given the lack of contradicting witnesses.
Joshua and Trevor were the other two Gammas. The only description Joshua gave of his former life was that “I was an alcoholic, and I’m still an alcoholic.” One Sunday at Wonton, Josh related how his mother flipped on Last Night and Mark Spitz almost shared his similar tale but declined. Josh didn’t have the bearing of one who was going to make it to the other side; there was something taffy to him, despite the fact he’d survived this long, and to tell him the story would be like pouring coffee into a broken saucer. As for Trevor, he had been a mall security guard in the bright, prelapsarian days of shopping abundance. When they met, Gary teased that Trevor must be glad to “finally have a real gun” after his stint as a fake cop, and Trevor had replied evenly that he hadn’t needed a gun in his mall rounds. He had everything he needed in his hands—Trevor was a master-level practitioner of a branch of martial arts Mark Spitz had never heard of but, after an impromptu demonstration, had become convinced of its lethal pedigree. Gamma got high every night, the minute they bivouacked for the night, “In police stations if one is handy,” Foreskin said.
One of the most solemn rounds of rock-paper-scissors in human history ruled in favor of Omega: Gamma was on point. “It’s all right,” Foreskin said. To draw the skels out, Josh started playing an old heavy metal song on a kazoo. The title eluded Mark Spitz. In the video the band played a bar mitzvah dressed in thick biker leather. Top-notch anti-skel gear in retrospect, save for the exposed neck. Soon they were all