The Woman in Cabin 10 - Ruth Ware Page 0,12

I read from the press pack as the train hurtled north, before turning to a floor plan of the cabin deck. There were four large suites in the nose of the boat—the prow, I supposed you’d call it, and a separate section with six smaller cabins arranged in a horseshoe shape at the back. Each cabin was numbered, odd and even on either side of a central corridor, with cabin 1 right in the tip of the prow, and cabins 9 and 10 adjoining each other in the curved stern of the boat. I guessed I’d be in one of the smaller cabins—presumably the suites were reserved for VIPs. There were no measurements on the floor plan and I frowned, remembering some of the cross-channel ferries I’d been on, the claustrophobic, windowless little rooms. The thought of spending five days in one of those wasn’t a comfortable one, but surely on a boat like this, we’d be talking something considerably more spacious?

I turned the page again, hoping to find a photo of one of the cabins to reassure myself, but instead I was confronted with a shot of a dazzling array of Scandinavian delicacies spread out on a white cloth. The chef on the Aurora had trained at Noma and elBulli, apparently. I yawned and pressed my hands into my eyes, feeling the grit of tiredness and the weight of everything from last night pressing down on me once again.

Judah’s face as I’d left him, stitched up with the blow from the night before, came into my head and I flinched. I wasn’t even sure what had happened. Had Judah and I broken up? Had I dumped him? Every time I tried to reconstruct the conversation, my exhausted brain took over, adding in stuff I hadn’t said, the responses I wished I’d made, making Judah more clueless and more insulting, to justify my own position, or alternatively more unconditionally loving, to try to convince myself this was all going to be okay. I hadn’t asked him to turn down the job. So why was I suddenly expected to be grateful for it?

I dozed off for about thirty painful minutes in the car from the station to the port, and when the car driver’s cheerful announcement broke into my sleep it was like a splash of cold water to the face. I stumbled out of the car into the searing sunshine and the salt-sting of the breeze, feeling bleary and dazed.

The driver had dropped me off almost at the end of the gangway, but as I looked across the steel bridge to the boat, I couldn’t quite believe we were in the right place. The pictures from the brochure were familiar—huge glass windows reflecting the sun without a single fingerprint or speck of salt water, and gleaming white paint so fresh that it could have been finished that morning. But what had been missing from the brochure photos was a sense of scale. The Aurora was so small—more like a large yacht than a small cruise liner. Boutique had been the phrase in the press pack—and now I saw what they meant. I’d seen bigger boats hopping around the Greek islands. It seemed impossible that everything mentioned in the ­brochure—library, sunroom, spa, sauna, cocktail lounge, and all the other things apparently indispensable to the Aurora’s pampered passengers—could fit into this miniature vessel. Its size, along with the perfection of its paintwork, gave it a curiously toylike quality, and as I stepped onto the narrow steel gangway I had a sudden disorienting image of the Aurora as a ship imprisoned in a bottle—tiny, perfect, isolated, and unreal—and of myself, shrinking down to match it with every step I took towards the boat. It was a strange feeling, as if I were looking down the wrong end of a telescope, and it gave me a dizzying sensation almost like vertigo.

The gangway shifted beneath my feet, the oily, inky waters of the harbor swirling and sucking beneath, and I had a momentary illusion that I was falling, the steel beneath my feet giving way. I shut my eyes and gripped the cold metal rail.

Then I heard a woman’s voice from up ahead.

“It’s a wonderful smell, isn’t it!”

I blinked. A stewardess was standing in the entrance to the ship. She was bright, almost white blond, with tanned walnut-brown skin, and beaming as if I were her rich, long-lost relative from Australia. I took a breath, trying to steady myself, and then made my way across

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