Wizard and glass - By Stephen King Page 0,24

of them smoking Kents from a pack Jimmie Polino—Jimmie Polio, they had all called him, because he had that fucked-up thing wrong with him, that clubfoot—had hawked out of his mother’s dresser drawer. Henry, predictably enough, had been one of the ones smoking.

There were certain ways of referring to things in the gang Henry was a part of (and which Eddie, as his little brother, was also a part of); the argot of their miserable little ka-tet. In Henry’s gang, you never beat anyone else up; you sent em home with a fuckin rupture. You never made out with a girl; you fucked that skag til she cried. You never got stoned; you went on a fuckin bombin-run. And you never brawled with another gang; you got in a fuckin pisser.

The discussion that day had been about who you’d want with you if you got in a fuckin pisser. Jimmie Polio (he got to talk first because he had supplied the cigarettes, which Henry’s homeboys called the fuckin cancer-sticks) opted for Skipper Brannigan, because, he said, Skipper wasn’t afraid of anyone. One time, Jimmie said, Skipper got pissed off at this teacher—at the Friday night PAL dance, this was—and beat the living shit out of him. Sent THE FUCKIN CHAPERONE home with a fuckin rupture, if you could dig it. That was his homie Skipper Brannigan.

Everyone listened to this solemnly, nodding their heads as they ate their Rockets, sucked their Popsicles, or smoked their Kents. Everyone knew that Skipper Brannigan was a fuckin pussy and Jimmie was full of shit, but no one said so. Christ, no. If they didn’t pretend to believe Jimmie Polio’s outrageous lies, no one would pretend to believe theirs.

Tommy Fredericks opted for John Parelli. Georgie Pratt went for Csaba Drabnik, also known around the nabe as The Mad Fuckin Hungarian. Frank Duganelli nominated Larry McCain, even though Larry was in Juvenile Detention; Larry fuckin ruled, Frank said.

By then it was around to Henry Dean. He gave the question the weighty consideration it deserved, then put his arm around his surprised brother’s shoulders. Eddie, he said. My little bro. He’s the man.

They all stared at him, stunned—and none more stunned than Eddie. His jaw had been almost down to his belt-buckle. And then Jimmie Polio said, Come on, Henry, stop fuckin around. This a serious question. Who’d you want watching your back if the shit was gonna come down?

I am being serious, Henry had replied.

Why Eddie? Georgie Pratt had asked, echoing the question which had been in Eddie’s own mind. He couldn’t fight his way out of a paper bag. A wet one. So why the fuck?

Henry thought some more—not, Eddie was convinced, because he didn’t know why, but because he had to think about how to articulate it. Then he said: Because when Eddie’s in that fuckin zone, he could talk the devil into setting himself on fire.

The image of Jake returned, one memory stepping on another. Jake scraping steel on flint, flashing sparks at the kindling of their campfire, sparks that fell short and died before they lit.

He could talk the devil into setting himself on fire.

Move your flint in closer, Roland said, and now there was a third memory, one of Roland at the door they’d come to at the end of the beach, Roland burning with fever, close to death, shaking like a maraca, coughing, his blue bombardier’s eyes fixed on Eddie, Roland saying, Come a little closer, Eddie—come a little closer for your father’s sake!

Because he wanted to grab me, Eddie thought. Faintly, almost as if it were coming through one of those magic doors from some other world, he heard Blaine telling them that the endgame had commenced; if they had been saving their best riddles, now was the time to trot them out. They had an hour.

An hour! Only an hour!

His mind tried to fix on that and Eddie nudged it away. Something was happening inside him (at least he prayed it was), some desperate game of association, and he couldn’t let his mind get fucked up with deadlines and consequences and all that crap; if he did, he’d lose whatever chance he had. It was, in a way, like seeing something in a piece of wood, something you could carve out—a bow, a slingshot, perhaps a key to open some unimaginable door. You couldn’t look too long, though, at least to start with. You’d lose it if you did. It was almost as if you had to carve

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