Wizard and glass - By Stephen King Page 0,112

was an intrigue of some sort going on, something dangerous and quite likely dishonorable. Hart knew a little about it, but she guessed he knew only what Kimba Rimer and that hideous limping man wanted him to know.

There was a time, and not so long ago, when Hart wouldn’t have allowed himself to be fobbed off in such fashion by the likes of Rimer, a time when he would have taken one look at Eldred Jonas and his friends and sent them west ere they had so much as a single hot dinner in them. But that was before Hart had become besotted with sai Delgado’s gray eyes, high bosom, and flat belly.

Olive turned down the lamp, blew out the flame, and crept off to bed, where she would lie wakeful until dawn.

By one o’ the clock, no one was left in the public rooms of Mayor’s House except for a quartet of cleaning women, who performed their chores silently (and nervously) beneath the eye of Eldred Jonas. When one of them looked up and saw him gone from the window-seat where he had been sitting and smoking, she murmured softly to her friends, and they all loosened up a little. But there was no singing, no laughter. Il spectro, the man with the blue coffin on his hand, might only have stepped back into the shadows. He might still be watching.

By two o’ the clock, even the cleaning women were gone. It was an hour at which a party in Gilead would just have been reaching its apogee of glitter and gossip, but Gilead was far away, not just in another Barony but almost in another world. This was the Outer Arc, and in the Outers, even gentry went to bed early.

There was no gentry on view at the Travellers’ Rest, however, and beneath the all-encompassing gaze of The Romp, the night was still fairly young.

2

At one end of the saloon, fishermen still wearing their rolled-down boots drank and played Watch Me for small stakes. To their right was a poker table; to their left, a knot of yelling, exhorting men—cowpokes, mostly—stood along Satan’s Alley, watching the dice bounce down the velvet incline. At the room’s other end, Sheb McCurdy was pounding out jagged boogie, right hand flying, left hand pumping, the sweat pouring down his neck and pale cheeks. Beside and above him, standing drunk on a stool, Pettie the Trotter shook her enormous bottom and bawled out the words to the song at the top of her voice: “Come on over, baby, we got chicken in the barn, what barn, whose barn, my barn! Come on over, baby, baby got the bull by the horns . . .”

Sheemie stopped beside the piano, the camel bucket in one hand, grinning up at her and attempting to sing along. Pettie swatted him on his way, never missing a word, bump, or grind, and Sheemie went with his peculiar laugh, which was shrill but somehow not unpleasant.

A game of darts was in progress; in a booth near the back, a whore who styled herself Countess Jillian of Up’ard Killian (exiled royalty from distant Garlan, my dears, oh how special we are) was managing to give two handjobs at the same time while smoking a pipe. And at the bar, a whole line of assorted toughs, drifters, cowpunchers, drovers, drivers, carters, wheelwrights, stagies, carpenters, conmen, stockmen, boatmen, and gunmen drank beneath The Romp’s double head.

The only real gunmen in the place were at the end of the bar, a pair drinking by themselves. No one attempted to join them, and not just because they wore shooting irons in holsters that were slung low and tied down gunslinger fashion. Guns were uncommon but not unknown in Mejis at that time, and not necessarily feared, but these two had the sullen look of men who have spent a long day doing work they didn’t want to do—the look of men who would pick a fight on no account at all, and be glad to end their day by sending some new widow’s husband home in a hurry-up wagon.

Stanley the bartender served them whiskey after whiskey with no attempt to make conversation, not so much as a “Hot day, gents, wa’n’t it?” They reeked of sweat, and their hands were pitchy with pine-gum. Not enough to keep Stanley from being able to see the blue coffin-shapes tattooed on them, though. Their friend, the old limping buzzard with the girl’s hair and the gimp leg,