"It was a movie, Froelich. Had to end that way. He could have gotten away with it, easy as anything."
"So?"
"It gives us two strategies to consider. A close-up suicide mission, or a clean long-distance job."
"We know all that. I told you, we have a person working on it. We get transcripts, analyses, memos, position papers. We talk to the screenwriters sometimes, if there's new stuff. We want to know where they get their ideas from."
"Learn anything?"
She shrugged and sipped her coffee and he saw her trawl back through her memory, like she had all the transcripts and all the memos and all the position papers stashed away in a mental filing cabinet.
"The Day of the Jackal impressed us, I think," she said. "Edward Fox played a pro shooter who had a rifle built so it could be disguised as a crutch for a handicapped veteran. He used the disguise to get into a nearby building some hours before a public appearance and planned a long-range head shot from a high-floor window. He was using a silencer, so he could get away afterward. Could have worked, in theory. But the story was set a long time ago. Before I was born. Early sixties, I think. General de Gaulle, after the Algerian crisis, wasn't it? We enforce far wider perimeters now. The movie was a factor in that, I guess. Plus our own problems in the early sixties, of course."
"And In the Line of Fire?" Reacher asked.
"John Malkovich played a renegade CIA operative," she said. "He manufactured a plastic pistol in his basement so he could beat the metal detectors and conned his way into a campaign rally and intended to shoot the President from very close range. Whereupon, as you say, we would have taken him down immediately."
"But old Clint jumped into the path of the bullet," Reacher said. "Good movie, I thought."
"Implausible, we thought," Froelich answered. "Two main faults. First, the idea that you can build a working pistol from hobbyist material is absurd. We look at stuff like that all the time. His gun would have exploded, blown his hand off at the wrist. The bullet would have just fallen out of the wreckage onto the floor. And second, he spent about a hundred thousand dollars along the way. Lots and lots of travel, phony offices for mail drops, plus a fifty-thousand-dollar donation to the party that got him into the campaign rally in the first place. Our assessment was a maniac personality like that wouldn't have big bucks to spend. We dismissed it."
"It was only a movie," Reacher said. "But it was illustrative."
"Of what?"
"Of the idea of getting into a rally and attacking the target from close quarters, as opposed to the old idea of going for long-distance safety."
Froelich paused. Then she smiled, a little warily at first, like a grave danger might be receding into the distance.
"Is this all you've got?" she said. "Ideas? You had me worried."
"Like the rally here on Thursday night," Reacher said. "A thousand guests. Time and place announced in advance. Advertised, even."
"You found the transition's website?"
Reacher nodded. "It was very useful. Lots of information."
"We vet it all."
"But it still told me every place Armstrong's going to be," Reacher said. "And when. And in what kind of a context. Like the rally right here, Thursday night. With the thousand guests."
"What about them?"
"One of them was a dark-haired woman who got hold of Armstrong's hand and pulled him a little off-balance."
She stared at him. "You were there?"
He shook his head. "No, but I heard about it."
"How?"
He ignored the question. "Did you see it?"
"Only on video," she said. "Afterward."
"That woman could have killed Armstrong. That was the first opportunity. Up to that point you were doing real well. You were scoring A-plus during the government stuff around the Capitol."
She smiled again, a little dismissively. "Could have? You're wasting my time, Reacher. I wanted better than could have. I mean, anything could happen. A bolt of lightning could hit the building. A meteorite, even. The universe could stop expanding and time could reverse. That woman was an invited guest. She was a party contributor. She passed through two metal detectors and she was ID-checked at the door."
"Like John Malkovich."
"We've been through that."
"Suppose she was a martial-arts expert. Maybe military-trained in black ops. She could have broken Armstrong's neck like you could break a pencil."
"Suppose, suppose."
"Suppose she was armed."
"She wasn't. She passed through two metal detectors."