The Witch of Portobello Page 0,66

wrong. Everything is familiar to me because I come in strength and in fire, and when I leave, no one will be the same. I bring true love, not the love they write about in books or in fairytales.'

The 'husband' of one of the 'couples' began looking at me. His 'wife' became distraught.

During the rest of the exercise, the director or, rather, the decent man did all he could to explain the importance of maintaining traditions, praising the Earth and asking the Earth to be as generous this year as it had been last year. I spoke only of love.

'He says the Earth needs rituals, well, I can guarantee that if there's love enough amongst you, you'll have an abundant harvest, because love is the feeling that transforms everything. But what do I see? Friendship. Passion died out a long time ago, because you've all got used to each other. That's why the Earth gives only what it gave last year, neither more nor less. And that's why, in the darkness of your souls, you silently complain that nothing in your lives changes. Why? Because you've always tried to control the force that transforms everything so that your lives can carry on without being faced by any major challenges.'

The decent man explained:

'Our community has survived because we've always respected the laws by which even love itself is guided. Anyone who falls in love without taking into account the common good, will be condemned to live in constant fear of hurting his partner, of irritating his new love, of losing everything he built. A stranger with no ties and no history can say what she likes, but she doesn't know how hard it was to get where we are now. She doesn't know the sacrifices we made for our children. She doesn't know that we work tirelessly so that the Earth will be generous with us, so that we will be at peace, and so that we can store away provisions for the future.'

For an hour, I defended the passion that devours everything, while the decent man spoke of the feeling that brings peace and tranquillity. In the end, I was left talking to myself, while the whole community gathered around him.

I'd played my role with great gusto and with a conviction I didn't even know I felt. Despite everything, though, the stranger left the village without having convinced anyone.

And that made me very, very happy.

Heron Ryan, journalist

An old friend of mine always says: 'People learn twenty-five per cent from their teacher, twenty-five per cent from listening to themselves, twenty-five per cent from their friends and twenty-five per cent from time.' At that first meeting at Athena's apartment, where she was trying to conclude the class she had started at the theatre, we all learned from well, I'm not quite sure from what.

She was waiting for us, with her son, in her small living room. I noticed that the room was entirely painted in white and was completely empty apart from one item of furniture with a sound system on it, and a pile of CDs. I thought it odd that her son should be there, because he was sure to be bored by the class. I was assuming she would simply pick up from where we had stopped, giving us commands through single words. But she had other plans. She explained that she was going to play some music from Siberia and that we should all just listen.

Nothing more.

'I don't get anywhere meditating,' she said. 'I see people sitting there with their eyes closed, a smile on their lips or else grave-faced and arrogant, concentrating on absolutely nothing, convinced that they're in touch with God or with the Goddess. So instead, let's listen to some music together.'

Again that feeling of unease, as if Athena didn't know exactly what she was doing. But nearly all the actors from the theatre were there, including the director, who, according to Andrea, had come to spy on the enemy camp.

The music stopped.

'This time I want you to dance to a rhythm that has nothing whatever to do with the melody.'

Athena put the music on again, with the volume right up, and started to dance, making no attempt to move gracefully. Only an older man, who took the role of the drunken king in the latest play, did as he was told. No one else moved. They all seemed slightly constrained. One woman looked at her watch only ten minutes had passed.

Athena stopped and looked

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