The Witch of Portobello Page 0,18
soul was dancing.
On Sunday afternoon, while we were walking in the park, I asked her to pay attention to everything she was seeing and hearing: the leaves moving in the breeze, the waves on the lake, the birds singing, the dogs barking, the shouts of children as they ran back and forth, as if obeying some strange logic, incomprehensible to grown-ups.
'Everything moves, and everything moves to a rhythm. And everything that moves to a rhythm creates a sound. At this moment, the same thing is happening here and everywhere else in the world. Our ancestors noticed the same thing when they tried to escape from the cold into caves: things moved and made noise. The first human beings may have been frightened by this at first, but that fear was soon replaced by a sense of awe: they understood that this was the way in which some Superior Being was communicating with them. In the hope of reciprocating that communication, they started imitating the sounds and movements around them and thus dance and music were born. A few days ago, you told me that dance puts you in touch with something stronger than yourself.'
'Yes, when I dance, I'm a free woman, or, rather, a free spirit who can travel through the universe, contemplate the present, divine the future, and be transformed into pure energy. And that gives me enormous pleasure, a joy that always goes far beyond everything I've experienced or will experience in my lifetime. There was a time when I was determined to become a saint, praising God through music and movement, but that path is closed to me forever now.'
'Which path do you mean?'
She made her son more comfortable in his pushchair. I saw that she didn't want to answer that question and so I asked again: when mouths close, it's because there's something important to be said.
Without a flicker of emotion, as if she'd always had to endure in silence the things life imposed on her, she told me about what had happened at the church, when the priest possibly her only friend had refused her communion. She also told me about the curse she had uttered then, and that she had left the Catholic Church forever.
'A saint is someone who lives his or her life with dignity,' I explained. 'All we have to do is understand that we're all here for a reason and to commit ourselves to that. Then we can laugh at our sufferings, large and small, and walk fearlessly, aware that each step has meaning. We can let ourselves be guided by the light emanating from the Vertex.'
'What do you mean by the Vertex? In mathematics, it's the topmost angle of a triangle.'
'In life, too, it's the culminating point, the goal of all those who, like everyone else, make mistakes, but who, even in their darkest moments, never lose sight of the light emanating from their hearts. That's what we're trying to do in our group. The Vertex is hidden inside us, and we can reach it if we accept it and recognise its light.'
I explained that I'd come up with the name 'the search for the Vertex' for the dance she'd watched on previous nights, performed by people of all ages (at the time there were ten of us, aged between nineteen and sixty-five). Athena asked where I'd found out about it.
I told her that, immediately after the end of the Second World War, some of my family had managed to escape from the Communist regime that was taking over Poland, and decided to move to England. They'd been advised to bring with them art objects and antiquarian books, which, they were told, were highly valued in this part of the world.
Paintings and sculptures were quickly sold, but the books remained, gathering dust. My mother was keen for me to read and speak Polish, and the books formed part of my education. One day, inside a nineteenth-century edition of Thomas Malthus, I found two pages of notes written by my grandfather, who had died in a concentration camp. I started reading, assuming it would be something to do with an inheritance or else a passionate letter intended for a secret lover, because it was said that he'd fallen in love with someone in Russia.
There was, in fact, some truth in this. The pages contained a description of his journey to Siberia during the Communist revolution. There, in the remote village of Diedov, he fell in love with an actress. ( Editor's