When you are engulfed in flames - By David Sedaris Page 0,5

me through. Another problem was where this van might go. An apartment, obviously, but how would I get it? It’s all I can do to open my mouth at the post office, so how am I going to talk to a real estate agent? The language aspect has nothing to do with it, as I’m no more likely to house-hunt in New York than I am in Paris. When discussing sums over sixty dollars, I tend to sweat. Not just on my forehead, but all over. Five minutes at the bank, and my shirt is transparent. Ten minutes, and I’m stuck to my seat. I lost twelve pounds getting the last apartment, and all I had to do was sign my name. Hugh handled the rest of it.

On the bright side, I have money, though I’m not exactly sure how to get my hands on it. Bank statements arrive regularly, but I don’t open anything that’s not personally addressed or doesn’t look like a free sample. Hugh takes care of all that, opening the icky mail and actually reading it. He knows when our insurance payments are due, when it’s time to renew our visas, when the warranty on the washer is about to expire. “I don’t think we need to extend this,” he’ll say, knowing that if the machine stops working he’ll fix it himself, the way he fixes everything. But not me. If I lived alone and something broke, I’d just work around it: use a paint bucket instead of a toilet, buy an ice chest and turn the dead refrigerator into an armoire. Call a repairman? Never. Do it myself? That’ll be the day.

I’ve been around for nearly half a century, yet still I’m afraid of everything and everyone. A child sits beside me on a plane and I make conversation, thinking how stupid I must sound. The downstairs neighbors invite me to a party and, after claiming that I have a previous engagement, I spend the entire evening confined to my bed, afraid to walk around because they might hear my footsteps. I do not know how to turn up the heat, send an e-mail, call the answering machine for my messages, or do anything even remotely creative with a chicken. Hugh takes care of all that, and when he’s out of town I eat like a wild animal, the meat still pink, with hair or feathers clinging to it. So is it any wonder that he runs from me? No matter how angry I get, it always comes down to this: I’m going to leave and then what? Move in with my dad? Thirty minutes of pure rage, and when I finally spot him I realize that I’ve never been so happy to see anyone in my life.

“There you are,” I say. And when he asks where I have been, I answer honestly and tell him I was lost.

The Understudy

In the spring of 1967, my mother and father went out of town for the weekend and left my four sisters and me in the company of a woman named Mrs. Byrd, who was old and black and worked as a maid for one of our neighbors. She arrived at our house on a Friday afternoon, and, after carrying her suitcase to my parents’ bedroom, I gave her a little tour, the way I imagined they did in hotels. “This is your TV, this is your private sundeck, and over here you’ve got a bathroom — just yours and nobody else’s.”

Mrs. Byrd put her hand to her cheek. “Somebody pinch me. I’m about to fall out.”

She cooed again when I opened a dresser drawer and explained that when it came to coats and so forth we favored a little room called a closet. “There are two of them against the wall there, and you can use the one on the right.”

It was, I thought, a dream for her: your telephone, your massive bed, your glass-doored shower stall. All you had to do was leave it a little cleaner than you found it.

A few months later, my parents went away again and left us with Mrs. Robbins, who was also black, and who, like Mrs. Byrd, allowed me to see myself as a miracle worker. Night fell, and I pictured her kneeling on the carpet, her forehead grazing my parents’ gold bedspread. “Thank you, Jesus, for these wonderful white people and all that they have given me this fine weekend.”

With a regular teenage babysitter, you horsed around,