and Baton Rouge. There was the tragedy of Big John, of my mother. And to all of this, I now began to add my own stray readings, when left in my father’s office, of De Bow’s Review, which harped constantly on the falling price of tobacco, and then finally the conversation of the Quality themselves. It was tobacco that made for the largess of Lockless, indeed the largess of Elm County. And every year the tobacco yields shrank, the entail of those high families of Virginia shrank with them. The days of tobacco leaves large as elephant ears were no more, not in Elm County at least, where crop after crop had exhausted the land. But out west, past the valley and mountains, on the Mississippi banks, down Natchez-way, there was land in need of improvement, in need of masters to superintend, and men to harvest and hoe, men such as those in the diminishing fields of Lockless.
“Used to be they was shamed to sell a man,” I’d heard Pete once say, while I was working in the kitchen.
“Easy to have shame when you got the harvest,” Ella answered. “Try shame when you a dirt farmer.”
These were the last words I ever heard from Ella. A week later she was gone.
My young way of understanding all of this was singular, a sense that what really had doomed Lockless was not the land but the men who managed it. I began to see Maynard as an outrageous example of his entire class. I envied them. I was horrified by them.
As I learned the house, and began to read, and began to see more of the Quality, I saw that just as the fields and its workers were the engine of everything, the house itself would have been lost without those who tasked within it. My father, like all the masters, built an entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself. The magic wall that slid away from me that first day and opened the gleaming world of the house hid back stairways that led down into the Warrens, the engine-room of Lockless, where no guest would ever visit. And when we did appear in the polite areas of the house, as we did during the soirées, we were made to appear in such appealing dress and grooming so that one could imagine that we were not slaves at all but mystical ornaments, a portion of the manor’s charm. But I now knew the truth—that Maynard’s folly, though more profane, was unoriginal. The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them—we had to be. Sloth was literal death for us, while for them it was the whole ambition of their lives.
It occurred to me then that even my own intelligence was unexceptional, for you could not set eyes anywhere on Lockless and not see the genius in its makers—genius in the hands that carved out the columns of the portico, genius in the songs that evoked, even in the whites, the deepest of joys and sorrows, genius in the men who made the fiddle strings whine and trill at their dances, genius in the bouquet of flavors served up from the kitchen, genius in all our lost, genius in Big John. Genius in my mother.
I imagined that my own quality might someday be recognized and then, perhaps, I, one who understood the workings of the house, the workings of the field, and the span of the larger world, might be deemed the true heir, the rightful heir, of Lockless. With this broad knowledge I would make the fields bloom again, and in that way save us all from the auctions and separation, from a descent into the darkness of Natchez,