Warm Bodies Page 0,2
eat the brain and, for about thirty seconds, I have memories. Flashes of parades, perfume, music . . . life. Then it fades, and I get up, and we all stumble out of the city, still cold and grey, but feeling a little better. Not 'good', exactly, not 'happy', certainly not 'alive', but . . . a little less dead. This is the best we can do.
I trail behind the group as the city disappears behind us. My steps plod a little heavier than the others'. When I pause at a rain-filled pothole to scrub gore off my face and clothes, M drops back and slaps a hand on my shoulder. He knows my distaste for some of our routines. He knows I'm a little more sensitive than most. Sometimes he teases me, twirls my messy black hair into pigtails and says, 'Girl. Such . . . girl.' But he knows when to take my gloom seriously. He pats my shoulder and just looks at me. His face isn't capable of much expressive nuance any more, but I know what he wants to say. I nod, and we keep walking.
I don't know why we have to kill people. I don't know what chewing through a man's neck accomplishes. I steal what he has to replace what I lack. He disappears, and I stay. It's simple but senseless, arbitrary laws from some lunatic legislator in the sky. But following those laws keeps me walking, so I follow them to the letter. I eat until I stop eating, then I eat again.
How did this start? How did we become what we are? Was it some mysterious virus? Gamma rays? An ancient curse? Or something even more absurd? No one talks about it much. We are here, and this is the way it is. We don't complain. We don't ask questions. We go about our business.
There is a chasm between me and the world outside of me. A gap so wide my feelings can't cross it. By the time my screams reach the other side, they have dwindled into groans.
At the Arrivals gate, we are greeted by a small crowd, watching us with hungry eyes or eye sockets. We drop our cargo on the floor: two mostly intact men, a few meaty legs and a dismembered torso, all still warm. Call it leftovers. Call it takeout. Our fellow Dead fall on them and feast right there on the floor like animals. The life remaining in those cells will keep them from full-dying, but the Dead who don't hunt will never quite be satisfied. Like men at sea deprived of fresh fruit, they will wither in their deficiencies, weak and perpetually empty, because the new hunger is a lonely monster. It grudgingly accepts the brown meat and lukewarm blood, but what it craves is closeness, that grim sense of connection that courses between their eyes and ours in those final moments, like some dark negative of love.
I wave to M and then break free from the crowd. I have long since become acclimatised to the Dead's pervasive stench, but the haze rising off them today feels especially fetid. Breathing is optional, but I need some air.
I wander out into the connecting hallways and ride the conveyors. I stand on the belt and watch the scenery scroll by through the window wall. Not much to see. The runways are turning green, overrun with grass and brush. Jets lie motionless on the concrete like beached whales, white and monumental. Moby-Dick, conquered at last.
Before, when I was alive, I could never have done this. Standing still, watching the world pass by me, thinking about nearly nothing. I remember effort. I remember targets and deadlines, goals and ambitions. I remember being purposeful, always everywhere all the time. Now I'm just standing here on the conveyor, along for the ride. I reach the end, turn around, and go back the other way. The world has been distilled. Being dead is easy.
After a few hours of this, I notice a female on the opposite conveyor. She doesn't lurch or groan like most of us; her head just lolls from side to side. I like that about her, that she doesn't lurch or groan. I catch her eye and stare at her as we approach. For a brief moment we are side by side, only a few feet away. We pass, then travel on to opposite ends of the hall. We turn around and look at each other. We get back