The Vampire Armand Page 0,74

brownish-blond hair to his shoulders, and a carnal blush in his white cheeks. With a tranquil expression he appeared to gaze indifferently at the viewer of the painting as he sat, regal in his fur-trimmed gold jacket with its long slashed sleeves, on a beautifully caparisoned white horse. No detail of the painting was unworthy of another. Even the horse's bridle and fittings were of beautifully worked gold and velvet, a match for the tight sleeves of Lorenzo's tunic and his red velvet knee-high boots.

But the enchantment of the painting arose most powerfully from the faces of the youths, as well as the few old men who made up the immense crowded procession, all with small quiet mouths and eyes drifting to the sides as if a forward glance would have broken the spell.

On and on they came past castles and mountains, winding their way to Bethlehem.

To illuminate this masterpiece, dozens of silver branching candelabra had been lighted up and down both sides of the room. The thick white candles of the purest beeswax gave off a luxurious illumination. High above a glorious wilderness of painted clouds surrounded an oval of floating saints who touched each other's outstretched hands as they looked down benevolently and contentedly upon us.

No furniture covered the rosy Carrara marble tiles of the highly polished floor. A wandering border pattern of green leafy vine marked off in great squares these tiles, but the floor was otherwise plain and deeply lustrous, and silken smooth to bare feet.

I found myself staring with the fascination of a feverish brain into this hall of glorious surfaces. The Procession of the Magi, rising as it did to fill the entire wall to the right of me, seemed to give off a soft plethora of real sounds ... the muted crunch of the hoofs of the horses, the shuffling steps of those who walked beside them, the rustling of the red-flowered shrubbery beyond them and even the distant cries of the hunters who, with their lean hounds, streaked along the mountain paths beyond.

My Master stood in the very center of the hall. He had taken off his familiar red velvet. He wore only an open robe of gold tissue, with long bell sleeves down to his wrists, his hem just skirting his bare white feet.

His hair seemed to make for him a halo of yellow brilliance, hanging softly to his shoulders.

I wore a gown of the same sheerness and simplicity.

"Come, Amadeo," he said.

I was weak, thirsting for water, barely able to stand. He knew this however, and no excuse seemed appropriate. I took my faltering steps one after another until I reached his outstretched arms.

His hands slid about the back of my head.

He bent his lips. A sense of dreadful awesome finality swept over me.

"You will die now to be with me in life eternal," he whispered in my ear. "Never for a moment must you really fear. I will hold your heart safe in my hands."

His teeth cut into me, deeply, cruelly with the precision of twin daggers, and I heard my heart thud in my ears. My very bowels contracted, and my stomach was knotted in pain. Yet a savage pleasure swept through all my veins, a pleasure which coursed towards the wounds in my neck. I could feel my blood rush towards my Master, towards his thirst and my inevitable death.

Even my hands were transfixed with vibrant sensation. Indeed, I seemed suddenly to be but a puppet map of circuitry, all of it aglow, as with a low, obvious and deliberate sound, my Master drank my life's blood. The sound of his heart, slow, steady, a deep reverberating pounding, filled my ears.

The pain in my intestines was alchemized to a soft sheer rapture; my body lost all weight, all knowledge of itself in space. The throb of his heart was within me. My hands felt the long satin locks of his hair, but I did not hold to them. I floated, supported only by the insistent heartbeat and thrilling current of all my swiftly flowing blood.

"I die now," I whispered. This ecstasy could not endure.

Abruptly the world died.

I stood alone on the desolate and windy shore of the sea.

It was the land to which I'd journeyed before, but how different it was now, devoid of its shining sun and abundant flowers. The priests were there, but their robes were dusty and dark and reeked of the earth. I knew these priests, I knew them well. I knew their names.

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