when you were that boy down there, I found myself thinking. But this is indeed hopeless. And just as I concluded, so I came to the end of this tunnel; it dissolved. I stood on the shore of that lovely sparkling sea.
I wasn't wet from the waves, but I knew them, and I said out loud, "Oh, I'm here, I've come to the shore! Look, there are the towers of glass."
As I looked up, I saw that the city was far away, over a series of deep green hills, and that a path led to it, and that flowers bloomed richly and gorgeously on either side of the path. I had never seen such flowers, never seen such shapes and petal formations, and never never beheld such colors in all my life. There were no names in the artistic canon for these colors. I couldn't call them by the few weak inadequate labels which I knew.
Oh, would the painters of Venice ever be astonished at these colors, I thought, and to think how they would transform our work, how they would set ablaze our paintings if only they could be discovered in some source that might be ground into pigment and blended with our oils. But what a pointless thing to do. No more painting was needed. All the glory that could be accomplished by color was here in this world revealed. I saw it in the flowers; I saw it in the variegated grass. I saw it in the boundless sky that rose up and over me and behind the distant blinding city, and it too flashed and glowed with this great harmony of colors, blending and twinkling and shimmering as if the towers of this city were made of a miraculous thriving energy rather than a dead or earthly matter or mass.
A great gratitude flowed out of me; my whole being gave itself up to this gratitude. "Lord, I see now," I said aloud. "I see and I understand." It did at that moment seem very clear to me, the implications of this varied and ever increasing beauty, this pulsing, radiant world. It was so very pregnant with meaning that all things were answered, all things were utterly resolved. I whispered the word "Yes" over and over. I nodded, I think, and then it seemed quite absurd to bother to say anything in words at all.
A great force emanated from the beauty. It surrounded me as if it were air or breeze or water, but it was none of these. It was far more rarefied and pervasive, and though it held me with a formidable strength it was nevertheless invisible and without pressure or palpable form. The force was love. Oh, yes, I thought, it is love, it is complete love, and in its completeness it makes all that I have ever known meaningful, for every disappointment, every hurt, every misstep, every embrace, every kiss was but a foreshadowing of this sublime acceptance and goodness, for the bad steps had told me what I lacked, and the good things, the embraces, had shown me a glimpse of what love could be.
All my life this love made meaningful, sparing nothing, and as I marveled at this, accepting it completely and without urgency or questioning, a miraculous process began. All my life came to me in the form of all those I had ever known.
I saw my life from the very first moments and up until the moment that had brought me here. It was not a terribly remarkable life; it contained no great secret or twist or pregnant matter that changed my heart. On the contrary, it was but a natural and common string of myriad tiny events, and these events involved all the other souls whom I had ever touched; I saw now the hurts I'd inflicted, and the words of mine which had brought solace, and I saw the result of the most casual and unimportant things I had done. I saw the banquet hall of the Florentines, and again in the midst of them, I saw the blundering loneliness with which they stumbled into death. I saw the isolation and the sadness of their souls as they had fought to stay alive.
What I could not see was my Master's face. I could not see who he was. I could not see into his soul. I could not see what my love meant to him, or what his love meant for me. But this was of no