a while," Marius said. "You'll like the sound of her playing my piano, and maybe then we'll talk together, and you can rest with us, and we can share the house for as long as you like."
I didn't answer.
"It's palatial in a New World sort of way," he said with a little mockery in his smile. "It's not far at all. I have the most spacious gardens and old oaks, oaks far older than those even out there on the Avenue, and all the windows are doors. You know how I like it that way. It's the Roman style. The house is open to the spring rain, and the spring rain here is like a dream."
"Yes, I know," I whispered. "I think it's falling now, isn't it?" I smiled.
"Well, I'm rather spattered with it, yes," he said almost gaily. "You come when you want to. If not tonight, then tomorrow...?
"Oh, I'll be there tonight," I said. I didn't want to offend him, not in the slightest, but Benji and Sybelle had seen enough of white-faced monsters with velvet voices. It was time to be off.
I looked at him rather boldly, enjoying it for a moment, overcoming a shyness that had been our curse in this modern world. In Venice of old, he had gloried in his clothes as men did then, always so sharp and splendidly embellished, the glass of fashion, to use the old graceful phrase. When he crossed the Piazza San Marco in the soft purple of evening, all turned to watch him pass. Red had been his badge of pride, red velvet-a flowing cape, and magnificently embroidered doublet, and beneath it a tunic of gold silk tissue, so very popular in those times.
He'd had the hair of a young Lorenzo de' Medici, right from the painted wall.
"Master, I love you, but now I must be alone," I said. "You don't need me now, do you, Sir? How can you? You never really did." Instantly I regretted it. The words, not the tone, were impudent. And our minds being so divided by intimate blood, I was afraid he'd misunderstand.
"Cherub, I want you," he said forgivingly. "But I can wait. Seems not long ago I spoke these same words when we were together, and so I say them again."
I couldn't bring myself to tell him it was my season for mortal company, how I longed just to be talking away the night with little Benji, who was such a sage, or listening to my beloved Sybelle play her sonata over and over again. It seemed beside the point to explain any further. And the sadness came over me again, heavily and undeniably, of having come to this forlorn and empty convent where Lestat lay, unable or unwilling to move or speak, none of us knew.
"Nothing will come of my company just now, Master," I said. "But you will grant me some key to finding you, surely, so that when this time passes..." I let my words die.
"I fear for you!" he whispered suddenly, with great warmth.
"Any more than ever before, Sir?" I asked.
He thought for a moment. Then he said, "Yes. You love two mortal children. They are your moon and stars. Come stay with me if only for a little while. Tell me what you think of our Lestat and what's happened. Tell me perhaps, if I promise to remain very quiet and not to press you, tell me your opinion of all you've so recently seen."
"You touch on it delicately, Sir, I admire you. You mean why did I believe Lestat when he said he had been to Heaven and Hell, you mean what did I see when I looked at the relic he brought back with him, Veronica's Veil."
"If you want to tell me. But more truly, I wish you would come and rest."
I put my hand on top of his, marveling that in spite of all I'd endured, my skin was almost as white as his.
"You will be patient with my children till I come, won't you?" I asked. "They imagine themselves so intrepidly wicked, coming here to be with me, whistling nonchalantly in the crucible of the Undead, so to speak."
"Undead," he said, smiling reprovingly. "Such language, and in my presence. You know I hate it."
He planted a kiss quickly on my cheek. It startled me, and then I realized that he was gone.
"Old tricks!" I said aloud, wondering if he were still near enough to hear me, or whether he had shut up