The Vampire Armand Page 0,185

with impish delight. "That's what I told her!" He rolled his eyes and glanced in the direction of the living room. "I said we had to steal a coffin for you right away, but she said, no, you'd think of that."

"How right she was. The room will do, but I like coffins well enough. I really do."

"And can you make us vampires too?"

"Oh, never. Absolutely not. You're pure of heart and too alive, and I don't have such a power. It's never done. It can't be."

Again, he shrugged. "Then who made you?" he asked.

"I was born out of a black egg," I said. "We all are."

He gave a scoffing laugh.

"Well, you've seen all the rest," I said. "Why not believe the best part of it?"

He only smiled and puffed his smoke, and looked at me most knavishly.

The piano sang on in crashing cascades, the rapid notes melting as fast as they were born, so like the last thin snowflakes of the winter, vanishing before they strike the pavements.

"May I kiss her before I go to sleep?" I asked.

He cocked his head, and shrugged. "If she doesn't like it, she'll never stop playing long enough to say so."

I went back into the parlor. How clear it all was, the grand design of sumptuous French landscapes with their golden clouds and cobalt skies, the Chinese vases on their stands, the massed velvet tumbling from the high bronze rods of the narrow old windows. I saw it all of a piece, including the bed where I had lain, now heaped with fresh down-filled coverlets and pillowed with embroidered antique faces.

And she, the center diamond of it all, in long white flannel, flounced at wrists and hem with rich old Irish lace, playing her long lacquered grand with agile unerring fingers, her hair a broad smooth yellow glow about her shoulders.

I kissed her scented locks, and then her tender throat, and caught her girlish smile and gleaming glance as she played on, her head tilting back to brush my coat front.

Down around her neck, I slipped my arms. She leant her gentle weight against me. With crossed arms, I clasped her waist. I felt her shoulders moving against my snug embrace with her darting fingers.

I dared in whisper-soft tones with sealed lips to hum the song, and she hummed with me.

"Appassionato,," I whispered in her ear. I was crying. I didn't want to touch her with blood. She was too clean, too pretty. I turned my head.

She pitched forward. Her hands pounded into the stormy finish.

A silence fell, abrupt, and crystalline as the music before it.

She turned and threw her arms around me, and held me tight and said the words I'd never heard a mortal speak in all my long immortal life:

"Armand, I love you."

Chapter 23

23

NEED I SAY they are the perfect companions? Neither of them cared about the murders. I could not for the life of me understand it. They cared about other things, such as world peace, the poor suffering homeless in the waning winter cold of New York, the price of medicines for the sick, and how dreadful it was that Israel and Palestine were forever in battle with each other. But they did not care one whit about the horrors they'd beheld with their own eyes. They did not care that I killed every night for blood, that I lived off it and nothing else, and that I was a creature wed by my very nature to human destruction.

They did not care one whit about the dead brother (his name was Fox, by the way, and the last name of my beautiful child is best left unmentioned).

In fact if this text ever sees the light of the real world, you're bound to change both her first name and that of Benjamin.

However, that's not my concern now. I can't think of the fate of these pages, except that they are very much for her, as I mentioned to you before, and if I'm allowed to title them I think it will be Symphony for Sybelle.

Not, please understand, that I love Benji no less. It's only that I haven't the same overwhelming protective feeling for him. I know that Benji will live out a great and adventurous life, no matter what should befall me or Sybelle, or even the times. It's in his flexible and enduring Bedouin nature. He is a true child of the tents and the blowing sands, though in his case, the house was a dismal cinder

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