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pair of pants and stepped into them on his way to hunt her down.

He was just about to call her name when he spotted her. She sat at his work counter, legs tucked up and crossed, shoulders hunched, one elbow propped. He had the quick and fleeting thought that if he sat like that for more than ten minutes, his neck and shoulders would lock up for days.

Walking over, he set his hands on her shoulders to rub what he imagined would be knotted muscles. And she jumped as if he'd swung an ax at her head.

She pitched forward, caught herself, reared back as her legs scissored out. Then, spinning around in his chair, she clutched her hands at her chest as her laughter bubbled out.

"God! You scared me!"

"Yeah, I picked that up when you nearly bashed your head on my drawing board. What're you up to?"

"I was... Oh God. Oh shit!" She shoved the chair back, dropped her hands into her lap. "I'm sorry. I completely breached your privacy. I was looking at the sketches you had sitting out, and I saw the book. I just meant to skim the first page. I got caught up. I shouldn't have-"

"Whoa, whoa, save the self-flagellation. I told you before you could read it sometime. I just hadn't written it yet. If you got caught up, that's a plus."

"I moved things around." She picked up the panel, held it out. "I hate when people move my things around."

"I know where it goes. Obviously, you're lucky I'm not as temperamental and touchy as you are." He lay the panel back in its place. "So, what do you think?"

"I think the story is fun, exciting and entertaining, with a sharp thread of humor, and with strong underpinnings of feminism."

He lifted his brows. "All that?"

"You know damn well. The character of Cass behaves in certain ways, and expects certain behavior and attitudes toward her because she was raised by a domineering, unsympathetic father. She's sexually repressed and emotionally clogged, has been reared to accept the superiority of men and accept a certain lack of respect in her male-dominated field. You see a great deal of that in the single portrait. The one you just put back.

"She's betrayed, and left for dead, because she's so indoctrinated to taking orders from male authority figures. To subverting her own intellect and desires. And by facing death, by fighting against it, she becomes a leader. Everything that's been trapped inside her, and more, is released in the form of Brid. A warrior. Empowerment, through power."

Fascinating, he thought, and flattering, to listen to her synopsize his story, and his character. "I'm going to interpret that as you like it."

"I really do, and not just due to the recent sexual haze. It's like a screenplay, a very strong screenplay. You even have camera angles and direction."

"It helps remind me how I saw it when I wrote it, even if that changes."

"And you add in these little boxes like the ones on the art."

"Helps with the layout. That may change, too. Just like the story line took some turns on me."

"You added Steve. You added the Immortal. He's going to be so... well, insane over that."

"She needed the bridge, the link between Cass and Brid. A character who can straddle her worlds, and help the two sides of our heroine understand each other."

Not unlike, Ford thought now, how Steve helped Cilla. "Adding him changed a lot of the angles, added a lot of work, but it's stronger for it. And something I should've thought of in the first place. Anyway, it's still evolving. The story's down, and now I have to tell it with art. Sometimes, for me anyway, the art can shift the story. We'll have to see."

"I especially like the one up there, of Brid in what's almost a fouette turn, as I assume she's about to kick out her leg against a foe."

"Fouette turn?"

"A ballet move." Cilla crossed over to tap the sketch she spoke of. "This is very close, even the arms are in position. To be precise, the supporting foot should be turned out slightly more, but-"

"You know ballet? Can you do that?"

"A fouette? Please. Eight years of ballet." She executed a quick turn. "Of tap." And a fast-time step. "Jazz."

"Cool. Hold on." He opened a drawer, pulled out a camera. "Do the ballet thing again."

"I'm mostly naked."

"Yeah, which is why I'll be posting these on the Internet shortly. I just want the feet business you were