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slapped her hand over his as he flipped to a page covered with small drawings of her. "Those aren't character sketches. That's me."

"Yeah, well, same thing, essentially."

"You've been over there, watching me over here, making drawings of me without my consent? You don't see that as rude and intrusive?"

"No, I see it as work. If I snuck over here and peeked in your windows, that would be rude and intrusive. You move like an athlete with just a hint of dancer. Even when you're standing still there's a punch to it. That's what I need. I don't need your permission to base a character on your physicality, but I'd do a better job with your cooperation."

She shoved his hand away to flip back to the warrior goddess. "That's my face."

"And a great face it is, too."

"If I said I'm calling my lawyer?"

At Ford's feet, Spock grumbled. "That would be shortsighted and hard-assed. And your choice. I don't think you'd get anywhere, but to save myself the hassle, I can make a few alterations. Wider mouth, longer nose. Make her a redhead-a redhead's not a bad idea. Sharper cheekbones. Let's see."

He dug out a pencil, flipped to a fresh page. While Cilla watched, he drew a quick freehand sketch.

"I'm keeping the eyes," he muttered as he worked. "You've got killer eyes. Widen the mouth, exaggerate the bottom lip just a hair more, diamond-edge those cheekbones, lengthen the nose. It's rough, but it's a great face, too."

"If you think you can goad me into-"

"But I like yours better. Come on, Cilla. Who doesn't want to be a superhero? I promise you, Brid's going to kick a lot more ass than Batgirl."

She hated feeling stupid, and feeling her temper shove at her. "Go away. I've got work to do."

"I take that as a no on posing for me."

"You can take that as, if you don't go away, I'm going to get my own magic hammer and beat you over the head with it."

Her hands curled into fists when he smiled at her. "That's the spirit. Just let me know if you change your mind," he said as he slid the sketchbook back into his bag. "See you later," he added and, tucking his pencil behind his ear, headed back down her driveway with his ugly little dog.

SHE STEWED ABOUT IT. The physical labor helped work off the mad, but the stewing part had to run its course. It was just her luck, just her freaking luck, that she could move out to what was almost the middle of nowhere and end up with a nosy, pushy, intrusive neighbor who had no respect for boundaries or privacy.

Her boundaries. Her privacy.

All she wanted was to do what she wanted to do, in her own time, in her own way-and largely by herself. She wanted to build something here, make a life, make a living. On her own terms.

She didn't mind the aches and pains of hard physical labor. In fact she considered them a badge of honor, along with every blister and callus.

Damned if she wanted her steps, her movements documented by some pen-and-ink artist.

"Warrior goddess," she muttered under her breath as she cleaned out clogged and sagging gutters. "Make her a redhead and give her collagen lips and D cups. Typical."

She climbed down the extension ladder and, since the gutters completed her last chore of the day, stretched right out on the ground.

She hurt every damn where.

She wanted to soak herself limp in a Jacuzzi, and follow it up with an hour's massage. And top that off with a couple glasses of wine, and possibly sex with Orlando Bloom. After that, she might just feel human.

Since the only thing on that wish list at hand was the wine, she'd settle for that. When she could move again.

With a sigh, she realized the stewing portion of the program was complete, and with her mind clear and her body exhausted, she knew the core reason for her reaction to Ford's sketches.

A decade of therapy hadn't been wasted.

So she groaned, pushed herself up. And went inside for the wine.

WITH SPOCK and his bear snoring majestically, Ford inked the last panel. Though the final work would be in color, his technique was to approach the inking as a near completion of the final art.

He'd already inked the panel borders, and the outlines of the background objects with his 108 Hunt. After completing the light side of his foregrounds, he stepped back, squinted, studied, approved. Once again, the Seeker,