Traveling With The Dead Page 0,17

of a downstairs shop, Asher ghosted through an alley a few houses farther up, counted chimneys, watched roof lines, and slipped into a clotted, weed-grown yard. Light shone behind shutters on the second floor, casting enough of a glow to let him see the broken- down shed that had once housed a kitchen amid a foul litter of rain barrels, old planks, broken boxes. All around him other shuttered windows made glowing chinks and slits of brass. The muck underfoot dragged his boots, the air nearly as thick, smothering with the stench of privies and of something newly dead.

He left his valise beside a rain barrel, scrambled with infinite care to the shed's roof. Through a broken louver he watched Karolyi tie the woman to a rickety chair. She was laughing, her head lolling back. "You like it like this, eh, copain? You want me to fight you a little?"

"Igen." Karolyi had pulled off his gloves for the task, tossed his hat on the stained and sagging mattress of the bed. His face was as calmly pleasant as the face of a statue, his shoulders relaxed, as if he shed everything from him with the knowledge that whatever he did in the name of his country was acceptable and forgiven. There was genuine banter in his voice. "You fight, my little bird. See if it helps."

Beyond them Asher could see an enormous trunk that occupied all of one side of the room: leather, strapped and cornered with brass. It stood open, and the dim light of the oil lamp glinted on the metalwork, filled it with shadow, but Asher could see that there was a second, only slightly smaller trunk inside. The inner trunk could still easily have held a man.

A noise in the yard nearly stopped his heart; a hissing and a scuffle; rats fighting, he realized, leaning against the freezing brick wall. He remembered the smell of some dead thing near the shed.

When he looked back, Ernchester was in the room.

"You're late." By his voice Karolyi could have been speaking of a rendezvous for tea. "The train leaves the Gare de l'Est at seven-thirty. We've barely time to dispose of this little eclair before the carters arrive."

He stepped to the giggling woman, took the soiled lace of her collar and ripped her dress open to the waist. She wore a corset underneath but no chemise; breasts like loaves of fallen dough balanced precariously on top of the ridge of whalebone and canvas, nipples like big copper pennies. A cheap gilt chain glinted around her neck. She winked up at Ernchester, and with a flip of one knee tossed her skirts up over her lap. She wasn't wearing drawers, either. "You got time before your train, cheri!' She leaned her head back and made kisses at him with her painted mouth, then dissolved into giggles.

Ernchester looked down at her with no expression whatever. He seemed smaller than Asher remembered him, thin and nondescript in his old-fashioned clothing. Though no vampire Asher had ever met appeared physically older than the mid- thirties, Ernchester seemed somehow to have aged, even in the past year. It was nothing in his stance or his face; there was no gray in the close-cropped fair hair. But looking at him, Asher felt that he was seeing an empty glass, dry and coated with bitter dust.

"I've dined." He turned away.

"Oh, come on, p'tit," laughed the woman. "Ain't you got no taste for dessert?" Karolyi muttered disgustedly, "Sacree couilles"-not at the woman, but at the delay and the needless risks-and pulled a thin silk scarf from his coat pocket.

With deadly delicacy he crossed it into a loop and dropped it around the woman's neck. She gasped, squeaked as her breath was cut off. Her body heaved and flopped, stockinged legs threshing; she kicked off one of her shoes in the death struggle, and it struck the wall with a smack.

Asher turned his face away, pressed his cheek to the cold brick, sickened and knowing that he was a dead man if he tried to do a single thing to stop what was going on. He was aware that from the moment Karolyi had picked her up, he- Asher-had known that she was going to die.

He was aware, too, that the noises in the room-the scraping and bumping of the chair, the obscene sounds the woman made as life blubbed and spurted and popped from her body-would cover the sounds of his departure, so that he could reach

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