where he entertained friends for dinner sometimes, and beyond it was what had once been the dining room, and had always been his studio. It was why she had come.
She walked straight toward it, as he tried in vain to make order in the place, but it was beyond hopeless, he realized. Instead, he followed her into the next room, and stood watching her reaction to his work. He had three paintings on easels in various states of development. One was nearly finished, another he'd just begun before his trip, and the third he was pondering and planned to change because he didn't think it worked. And there were at least another dozen or so paintings leaning against the walls. She was stunned by the power and beauty of his work. They were representational and meticulous, dark in most cases, with extraordinary lights in them. There was one of a woman's face, in a peasant dress from the Middle Ages, that was reminiscent of an Old Master. His paintings were truly beautiful, and she turned to him with a look of admiration and respect. It was completely different from what she showed in her gallery, which was hip and new and young. She had a real passion for emerging artists, and what she showed was easy to look at and fun to live with. She sold some very successful young artists as well, but none had the obvious training he did, the masterly skill, and the expertise that showed in his work. She had known Gray was a painter of the first order, but what she saw in his work now was maturity, wisdom, and infinite ability. She stood next to him then, looking at the work, wanting to absorb it and drink it all in.
“Wow! It's absolutely amazing.” She understood now why he only did two or three paintings a year. Even working on several at once, as most artists did, it had to take him months, or even years, to complete each one. “I'm blown away.” He looked thrilled with her reaction. There was one of a water scene that was absolutely mesmerizing with sunlight on the water at the end of day. It made you want to stand and stare at it forever. Sylvia knew, looking at his work, that he needed an important gallery to see his work and represent him, not hers. He knew the kind of work she sold, he had just wanted her to see it so she could see what he did. He had a great respect for her understanding of art history, and even modern painting. He knew that if she reacted favorably to it, it would be a major compliment to him. And whether she liked it or not, it was what he did. “You have to find a gallery to represent you, Gray,” she said sternly. He had told her he had been without representation for nearly three years. He sold his work to people who had bought them previously, and to friends, like Charlie, who had bought a number of his paintings and also thought they were very good. “It's a crime to leave all these paintings just sitting here, without a home.” There were stacks and stacks of them leaning against the walls.
“I hate all the dealers I meet. They don't give a damn about the work, just the money. Why give my work to them? It's not about money, at least not for me.” She could see that easily from the way he lived.
“But you have to eat,” she chided him gently. “And not all dealers are that greedy and irresponsible. Some really care about what they do. I do. I may not sell work of this caliber, or as masterful as these, but I believe in the work I show, and my artists. In their own way, they have tremendous talent too. They just express it differently than you.”
“I know you care about it. It's written all over you, that's why I wanted you to see my work. If you were like the rest of them, I wouldn't have invited you in. But then again, if you were like them, I wouldn't be falling in love with you either.” It was a big statement after their first night together, and for a moment she didn't answer. She loved being with him, and wanted to get to know him better, this was serious for her too, but she didn't know if she loved him yet. However