break her fingernails; but, in the attempt to freeze my old gray head fast to the pillow, she would take this risk. When I began wearing a knit watch-cap to bed, she mocked me, and would pluck it off in my sleep, to ensure that I awoke with sniffles and a fatal dry cough.
My slim young companion and I explore seldom-visited chambers of the far-flung old house. It was built by one of that legendary race of Boston rich who came to this shore for the summer cool, before air conditioning, their untaxed dollars engaging armies of Italian masons and Scots-Irish carpenters. Seven fireplaces, no two alike, in Ionic, Doric, and even (in the living room) Corinthian modes. Palladian windows, columned verandas. A fully finished third floor, and a basement with a plastered ceiling. Over the course of more than a century, the plaster has lost its grip, and chunks of it litter the remoter regions, including a mysterious room whose floor is the jagged ledge the house was built upon. This rough chamber, which knits the structure to primal matter, has always rather frightened me. It lies beyond the laundry room and the servants’ bathroom, where the thick old porcelain toilet goes months unflushed, its oval eye of water scummed with plaster dust. A steam pipe arrives at its safety valve in the farthest, rock-bottomed chamber, and the hissing, as from a captive serpent, startles us. Deirdre exclaims in disgust at the dry filth, the decades of unswept plaster fragments and whitewash flakes and flecks of crumbling brick and mouse droppings and bits of mouse poison, all accumulating on her sticky bare soles. I tell her, in the ardor of this strangeness, that I will lick them clean, even though I die of it. My genitals dangle in the cloistered cellar air; I love how her body beside mine displaces dead space. Faint musty and oily whiffs spring from her flesh and hair and dart deep into my nasal passages. I keep touching her, lightly, guiltily, the way we touch a smooth statue or a rough-textured canvas when the museum guard is not looking.
We go up the cellar stairs. Naked we move through the main floor, past Gloria’s Chippendale dining chairs and mahogany table of many leaves and teak-veneered breakfront laden with Meissen and Limoges china and filigreed Victorian wineglasses with ruby-red stems, our dirty feet tracking cellar crumbs over the blue Tabriz. I inspect the rug for bloodstains but can see none, in the bald winter light. I exultantly, fearfully feel our joint intrusion as systematic desecration. Our filthy bare feet, our Edenic nudity. If the white FedEx truck were to flash around the driveway, the driver would see us through the Palladian windows. I am getting an erection, mounting the carpeted stairs with this body lithe as a boy’s beside me. When I glance down at her, she has sullen, swollen lips and a blunt blob of a nose—an obtuse muzzle. We survey the second floor, the rooms the boys lived in before they went off and got married. Some rock posters and car posters are still up. My mistress is younger, I realize with a start of shame, than even the younger of my stepsons. Our relationship abruptly seems exploitive. I take her cool sharp elbow and lead her up the back stairs, to the third-floor “safe” room, with its special alarm that must be deactivated with a switch in a closet, where Gloria keeps or kept her special family treasures— jewels inherited, in unwearably ornate settings, from great-great-grandmothers; silver platters and teapots too heavy to use at less than a state banquet; vast punchbowls of cut glass; boxes of turn-of-the-century first editions that her maternal grandfather paid to have shipped from England, along with his Savile Row shoes and dinner clothes, and that he slit, as he read, with a little ivory paper knife tilted in his signet ringed right hand. Even men, men of means, attended to books then as if to carven caskets in which a crucial secret, a key to living, might be locked.
Another capped steam pipe hisses in here, overheating the slant-ceilinged small chamber. Its single window, a dormer, overlooks the lethal sea, with its ragged islands and pewter glare of shrouded sunlight. Deirdre, amid all this treasure, is frightened by something within herself—perhaps a chemical need, for a quick pipe of crack, or a surge of covetousness. I have shown her too much. I make a mental note to change