Touched By The Devil - Angel Lawson Page 0,33

a pretty cat, because she is. But I’d chosen it because she has these little scars around her cheek and a dirty nose. She looks like alley cat royalty. A creature who’s both won and lost. She’s looking out of frame at Hades, stealing her turkey, and I know it’s lame. Using a cat as a subject has to be like the Wonderwall of photography. But aside from possibly Georgia, I’m not comfortable enough with anyone here to just start snapping off photos of them. I don’t know the good places to catch a landscape. I’m not even sure if I’m allowed to go to that lake, yet.

“Well,” Me. Lee begins, and I prepare myself for a lukewarm compliment. “This is definitely nabbing a creative corner slot.”

“Really?” I blurt incredulously. He can’t be serious.

But he nods, gesturing to the photo. “The lighting is striking, the way it plays off the eyes, and the use of black and white was a good choice. You’ve captured something really emotive here. It conveys such a strong sense of longing.” He turns to me, eyebrow raised. “It’s very somber, Sugar.”

“I agree.” Micha leans forward to meet my eyes. “It’s really going to balance mine out up there in the creative corner.”

I’m too stunned and embarrassed to do much more than smile tightly back at him. Emotive, somber longing? For a moment, I miss my old school, where pictures of cats are pictures of cats, and no one ever looks beneath the surface.

After the meeting—Micha had scored a spot, as had his sister—the twins and I stand around the lobby of the building, waiting for our photos to be mounted. I don’t actually give a shit. In fact, after the whole emotive-somber thing, I’m beginning to think I’d prefer not being credited at all.

They’re bickering over whose photo is better and it’s giving me a headache. The back of my teeth start aching, that phantom jaw-twinge acting up, and I rap a knuckle against a placard to get their attention.

“I’m sure you’ll both do this Hollis Bates artist-person justice.”

Micha snaps his mouth closed to look at me. “Oh, Hollis Bates isn’t an artist. She’s just super gay.”

Michaela explains, “Her dad doesn’t know the difference.”

He puts a hand to his chest. “Bless his heart. But if he wants to donate a chunk of his fortune so we can have a nicer building, I’m not going to complain.”

It isn’t until Mr. Lee mounts the frames and I see their names that it hits me. “Adams?” I ask them. “Like the Adams scholarship?”

Neither looks surprised. As we exit the building, the sister offers, “Our parents set that up. They’re really into philanthropy. You got it, right?”

I shift uncomfortably. The thought of charity was a lot less mortifying when it was a faceless entity. “Uh, yeah.”

“I know what you’re thinking,” Micha says, randomly high-fiving a passing freshman. “Like this is some twisted Miss Havisham situation where our parents realized our sad, underappreciated photography club needed members, so they decided to bring in a ringer.”

Me? A ringer? I give him a skeptical look.

He raises one perfectly shaped eyebrow. “Yeah, you’re the ringer. Your portfolio was the shit, gorg.”

I want to respond that he’s delusional, but I see Sebastian walking toward us and clam up.

Sebastian has managed to keep his hands to himself these last few days. There haven’t been any more inappropriate incidents in Dr. Ross’s class or anywhere else.

That doesn’t mean I’m not keeping an eye on him. To the contrary. Sebastian Wilcox has triggered something inside of me—an intensely heightened awareness. I’m on constant alert, wondering and watching him all the time. I feel like if I let down my guard, for even a minute, he’ll strike.

The problem with Dr. Ross’s class is that I can’t actually watch him. He still sits behind me, completely out of view. I have to rely on my other senses, honing sharply into his every movement. It’s almost like back home with my step-father, Doug. The instant Sebastian sits in his seat, my brain fills in the gaps of what I can’t see. There’s the sound of him unzipping his backpack, the scrape of his notebook when he tosses it on his desk. The echoing click-clack of his mechanical pencil. The slide of his shoe as it moves along the tile floor and stretches out, invading the space beside my desk. My back straightens when he moves, silently tracking the way his limbs reach out for anything he can touch, feel, grab

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