There There - Tommy Orange Page 0,74

because it moved everywhere, all over your body—and blood ended up on your sheets, and you’d wake up feeling like you’d dreamed something as important and devastating as it was forgotten. But there was no dream. There was only the open, living wound, and it itched somewhere on your body at all times. Patches and circles and fields of red and pink, sometimes yellow, bumpy, pus-y, weeping, disgusting—the surface of you.

If you drank enough you didn’t scratch at night. You could deaden your body that way. You found your way in and out of a bottle. Found your limits. Lost track of them. Along the way you figured out there was a certain amount of alcohol you could drink that could—the next day—produce a certain state of mind, which you over time began to refer to privately as the State. The State was a place you could get to where everything felt exactly, precisely in place, where and when it belonged, you belonged, completely okay in it—almost like your dad used to say, “In’it, like, isn’t that right? Isn’t that true?”

But each and every bottle you bought was a medicine or a poison depending on whether you managed to keep them full enough. The method was unstable. Unsustainable. To drink enough but not too much for a drunk was like asking the evangelical not to say the name Jesus. And so playing drums and singing in those classes had given you something else. A way to get there without having to drink and wait and see if the next day the State might emerge from the ashes.

The State was based on something you read about James Hampton years after your trip to D.C. James had given himself a title: Director of Special Projects for the State of Eternity. James was a Christian. You are not. But he was just crazy enough to make sense to you. This is what made sense: He spent fourteen years building a massive piece of artwork out of junk he collected in and around the garage he rented, which was about a mile from the White House. The piece was called The Throne of the Third Heaven of the Nations’ Millennium General Assembly. James made the throne for Jesus’s second coming. What you get about James Hampton is his almost desperate devotion to God. To the waiting for his God to come. He made a golden throne from junk. The throne you were building was made of moments, made of experiences in the State after excess drinking, made of leftover, unused drunkenness, kept overnight, dreamed, moon-soaked fumes you breathed into throne form, into a place you could sit. In the State you were just unhinged enough to not get in the way. The problem came from having to drink at all.

The night before you got fired, drum class had been canceled. It was the end of December. The approach of the new year. This kind of drinking was not about reaching the State. This kind of drinking was careless, pointless—one of the risks, the consequences of being the kind of drunk you are. That you’ll always be, no matter how well you learn to manage it. By night’s end, you’d finished a fifth of Jim Beam. A fifth is a lot if you don’t work your way up to it. It can take years to drink this way, alone, on random Tuesday nights. It takes a lot from you. Drinking this way. Your liver. The one doing the most living for you, detoxifying all the shit you put into your body.

When you got to work the next day you were fine. A little dizzy, still drunk, but the day felt normal enough. You went into the conference room. The powwow committee meeting was happening. You ate what they were calling breakfast enchiladas when they offered them. You met a new member of the committee. Then your supervisor, Jim, called you into his office, called on the two-way you kept on your belt.

When you got to his office he was on the phone. He covered it with one hand.

“There’s a bat,” he said, and pointed out to the hallway. “Get it out. We can’t have bats. This is a medical facility.” He said it like you’d brought the bat in yourself.

Out in the hallway, you looked up and around you. You saw the thing on the ceiling in the corner near the conference room at the end of the hall. You went and