There There - Tommy Orange Page 0,70

possibility in your mom’s ovaries. You were two halves of a thousand different kinds of possibilities, a million heads or tails, flip-shine on a spun coin. Before you were born, you were the idea to make it to California for gold or bust. You were white, you were brown, you were red, you were dust. You were hiding, you were seeking. Before you were born, you were chased, beaten, broken, trapped on a reservation in Oklahoma. Before you were born, you were an idea your mom got into her head in the seventies, to hitchhike across the country and become a dancer in New York. You were on your way when she did not make it across the country but sputtered and spiraled and wound up in Taos, New Mexico, at a peyote commune named Morning Star. Before you were born, you were your dad’s decision to move away from the reservation, up to northern New Mexico to learn about a Pueblo guy’s fireplace. You were the light in the wet of your parents’ eyes as they met across that fireplace in ceremony. Before you were born, your halves inside them moved to Oakland. Before you were born, before your body was much more than heart, spine, bone, brain, skin, blood, and vein, when you’d just started to build muscle with movement, before you showed, bulged in her belly, as her belly, before your dad’s pride could belly-swell from the sight of you, your parents were in a room listening to the sound your heart made. You had an arrhythmic heartbeat. The doctor said it was normal. Your arrhythmic heart was not abnormal.

“Maybe he’s a drummer,” your dad said.

“He doesn’t even know what a drum is,” your mom said.

“Heart,” your dad said.

“The man said arrhythmic. That means no rhythm.”

“Maybe it just means he knows the rhythm so good he doesn’t always hit it when you expect him to.”

“Rhythm of what?” she said.

But once you got big enough to make your mom feel you, she couldn’t deny it. You swam to the beat. When your dad brought out the kettle drum, you’d kick her in time with it, or to her heartbeat, or to one of the oldies mixtapes she had made from records she loved and played to no end in your Aerostar minivan.

Once you were out in the world, running and jumping and climbing, you tapped your toes and fingers everywhere, all the time. On tabletops, desktops. You tapped every surface you found in front of you, listened for the sound things made back at you when you hit them. The timbre of taps, the din of dings, silverware clangs in kitchens, door knocks, knuckle cracks, head scratches. You were finding out that everything makes a sound. Everything can be drumming whether rhythm is kept or strays. Even gunshots and backfire, the howl of trains at night, the wind against your windows. The world is made of sound. But inside every kind of sound lurked a sadness. In the quiet between your parents, after a fight they both managed to lose. You and your sisters listening through the walls for tones, listening for early signs of a fight. For late signs of a fight reignited. The sound of the worship service, that building drone and wail of evangelical Christian worship, your mom speaking in tongues on the crest of that weekly Sunday wave, sadness because you couldn’t feel any of it in there and wanted to, felt you needed it, that it could protect you from the dreams you had almost every night about the end of the world and the possibility of hell forever—you living there, still a boy, unable to die or leave or do anything but burn in a lake of fire. Sadness came when you had to wake up your snoring dad in church, even as members of the congregation, members of your family, were being slain by the Holy Ghost in the aisles right next to him. Sadness came when the days got shorter at the end of summer. When the street got quiet without kids out anymore. In the color of that fleeting sky, sadness lurked. Sadness pounced, slid in between everything, anything it could find its way into, through sound, through you.

You didn’t think of any of the tapping or knocking as drumming until you actually started drumming many years later. It would have been good to know that you’d always done something naturally. But there was too much going