The Testaments (The Handmaid's Tale #2) - Margaret Atwood Page 0,3
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How old was I at that time? Perhaps six or seven. It’s hard for me to know, as I have no clear memories before that time.
I loved Tabitha very much. She was beautiful although so thin, and she would spend hours playing with me. We had a dollhouse that was like our own house, with a living room and a dining room and a big kitchen for the Marthas, and a father’s study with a desk and bookshelves. All the little pretend books on the shelves were blank. I asked why there was nothing inside them—I had a dim feeling that there were supposed to be marks on those pages—and my mother said that books were decorations, like vases of flowers.
What a lot of lies she had to tell for my sake! To keep me safe! But she was up to it. She had a very inventive mind.
We had lovely big bedrooms on the second floor of the dollhouse, with curtains and wallpaper and pictures—nice pictures, fruit and flowers—and smaller bedrooms on the third floor, and five bathrooms in all, though one was a powder room—Why was it called that? What was “powder”?—and a cellar with supplies.
We had all the dolls for the dollhouse that you might need: a mother doll in the blue dress of the Commanders’ Wives, a little girl doll with three dresses—pink, white, and plum, just like mine—three Martha dolls in dull green with aprons, a Guardian of the Faith with a cap to drive the car and mow the lawn, two Angels to stand at the gate with their miniature plastic guns so nobody could get in and hurt us, and a father doll in his crisp Commander’s uniform. He never said much, but he paced around a lot and sat at the end of the dining table, and the Marthas brought him things on trays, and then he would go into his study and close the door.
In this, the Commander doll was like my own father, Commander Kyle, who would smile at me and ask if I had been good, and then vanish. The difference was that I could see what the Commander doll was doing inside his study, which was sitting at his desk with his Computalk and a stack of papers, but with my real-life father I couldn’t know that: going into my father’s study was forbidden.
What my father was doing in there was said to be very important—the important things that men did, too important for females to meddle with because they had smaller brains that were incapable of thinking large thoughts, according to Aunt Vidala, who taught us Religion. It would be like trying to teach a cat to crochet, said Aunt Estée, who taught us Crafts, and that would make us laugh, because how ridiculous! Cats didn’t even have fingers!
So men had something in their heads that was like fingers, only a sort of fingers girls did not have. And that explained everything, said Aunt Vidala, and we will have no more questions about it. Her mouth clicked shut, locking in the other words that might have been said. I knew there must be other words, for even then the notion about the cats did not seem right. Cats did not want to crochet. And we were not cats.
Forbidden things are open to the imagination. That was why Eve ate the Apple of Knowledge, said Aunt Vidala: too much imagination. So it was better not to know some things. Otherwise your petals would get scattered.
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In the dollhouse boxed set, there was a Handmaid doll with a red dress and a bulgy tummy and a white hat that hid her face, though my mother said we didn’t need a Handmaid in our house because we already had me, and people shouldn’t be greedy and want more than one little girl. So we wrapped the Handmaid up in tissue paper, and Tabitha said that I could give her away later to some other little girl who didn’t have such a lovely dollhouse and could make good use of the Handmaid doll.
I was happy to put the Handmaid away in the box because the real Handmaids made me nervous. We would pass them on our school outings, when we’d walk in a long double line with an Aunt at each end of it. The outings were to churches, or else to parks where we might play circle games or look at ducks in a pond. Later we would