Terms of Enlistment - By Marko Kloos Page 0,60

a well-thrown fastball. I stumble backwards and fall on my ass. My helmet display blanks out momentarily from the shock of the impact.

This was a killing shot that just barely missed. She shot at my armor to get my attention and make me turn around, and the second shot was aimed right at my visor, the weakest point of my battle armor. My sensors restore my low-light vision just in time for me to see the woman on the roof complete another stroke of the loading lever on that antique rifle of hers. My right hand is still wrapped around the grip of Hansen’s rifle, and unlike my opponent, I don’t have to bring my rifle up into my field of vision to aim it.

We pull our triggers at the same time. Her bullet cracks into my visor, right at the seam between the clear face shield and the reinforced ballistic shell of the outer helmet. It’s another near miss, but an improvement over the last one. I feel a sharp jab of pain right underneath my left eye that radiates out to my ear, as if someone had sliced the side of my head with a sharp knife.

My rifle sends not just one, but half a dozen rounds in return. They hit the woman on the roof dead center in the chest, the perfect aim of a computer. She doesn’t cry out or flinch. Instead, she just falls forward, and there’s nothing between her and the street below to break her fall.

From the way she falls, limbs flailing without any semblance of control or coordination, I know that she is already dead when she hits the ground. Still, I feel the urge to run the twenty yards to where she is now splayed out motionless on the dirty asphalt.

I seize her by the collar of her jacket and turn her around to get a look at her face. Her eyes are open, but unfocused in death. There’s no pain in her face, no surprise or distress. She looks about thirty, maybe a few years younger. Her ball cap fell off her head when she fell off the roof, and her hair is held together in a loose ponytail. I can’t tell the exact color of it with my augmented night vision, but it’s dark hair, brown or auburn.

“Grayson, if you’re still standing, get your ass over here,” I hear over the squad channel, the first time someone has used the voice network since the machine gun opened fire. The identifier tag on my helmet screen marks the speaker as Corporal Jackson, but she sounds odd, like she’s speaking slowly through clenched teeth.

“Copy,” I respond, and check her location on the map. The bullet that pierced the side of my visor missed the monocle of the data computer, and I still have a data feed in my field of vision. The left side of my face feels like it has been worked over with broken glass. I can feel warm blood trickling down my cheek.

The squad is huddled together in the alley ahead and to my left. I reload Hansen’s rifle with a fresh magazine.

“Hansen, do you copy?” I ask into the squad channel.

“Yeah, I’m here,” Hansen replies. “I’m at the end of the entrance hallway, right before the bend. Mind your trigger finger when you come in.”

“How’s the boo-boo?”

“Right arm’s on vacation,” she says. Her voice sounds tired. “I’ll be fine. Just give me a second to catch my breath.”

“Anyone home in there?”

“If they are, they’re smart enough to stay inside. I’m not in a super social mood right now.”

The left side of my face hurts as I smile. Our armor is lined with thermal bandage modules that automatically attempt to seal wounds and stop blood loss, but the helmets lack that lining, and the blood streams down my cheek unhindered. I make my way down to the alley where the rest of my squad is holed up. My rifle is pointed at the edge of the roof across the street as I move, ready to put a flechette into any heads popping up behind rifle sights, but if there’s anyone left up on that roof, they have the good sense to keep their heads down.

“Grayson, you got any trauma packs left?” someone asks as I turn the corner to the alley. My squad is hunkered down behind yet another trash container, and several of them are laid out on the ground.

“Yeah, I have two,” I respond.

“Bring ‘em over

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