Taltos - By Anne Rice Page 0,44

and glanced into the other room, at the bloody heap. The Chinese cop had restored the covering sheet, out of respect perhaps, or procedure.

Michael stared at the drawers lining the opposite wall. Bodies inside made the abominable smell. She looked. There was one drawer partly open, perhaps because it couldn’t be closed, and she could see the evidence of two bodies inside, the brown head of one facing up, and the molding pink feet of another lying directly on top of the first. There was green mold on the face, too. But the horror was not the mold; it was the two stacked together. The unclaimed dead, as intimate in their own way as lovers.

“I can’t …” said Michael. “I know, come on,” she said.

By the time they climbed into the car, Mona had stopped crying. She sat staring out the window, so deep in thought she forbade any talk, any distraction. Now and then she turned and threw a glance at Rowan. Rowan met the glance and felt the strength of it, and the warmth. In three weeks of listening to this child pour out her heart—a lovely load of poetry which often became simply sound to Rowan in her somnambulant state—Rowan had come to love Mona completely.

Heiress, the one who will bear the child that will carry on the legacy. Child with a womb inside her, and the passions of an experienced woman. Child who had held Michael in her arms, who in her exuberance and ignorance had feared not at all for his battered heart, or that he might die at the pinnacle of passion. He hadn’t died. He’d climbed out of invalidism and readied himself for the homecoming of his wife! And now the guilt lay on Mona, far too intoxicating, confusing all the mighty doses which she had had to swallow.

No one spoke as the car moved on.

Rowan sat next to Michael, in a little heap against him, resisting the urge to sleep, to sink back, to be lost again in thoughts that flowed with all the steadiness and imperturbability of a river, thoughts like the thoughts that had gently overlaid her for weeks, thoughts through which words and deeds had broken so slowly and so gently that they had hardly reached her at all. Voices speaking to you over the muffling rush of water.

She knew what she meant to do. It was going to be another terrible, terrible blow for Michael.

They found the house alive. Guards surrounded it once again. That was no surprise to any of them. And Rowan required no explanations. No one knew who had hired the man to run down Aaron Lightner.

Celia had come and had taken Bea in hand, letting her “cry it out” in Aaron’s regular guest room on the second floor. Ryan Mayfair was in attendance, the man always prepared for court or church in his suit and tie, speaking cautiously of what the family must do now.

They were all looking at Rowan, of course. She had seen these faces at her bedside. She had seen them pass before her during her long hours in the garden.

She felt uncomfortable in the dress that Mona had helped her choose, because she could not remember ever seeing it before. But it didn’t matter nearly as much as food. She was ravenously hungry, and they had laid out a full Mayfair-style buffet in the dining room.

Michael filled a plate for her before the others could do it. She sat at the head of the dining table and she ate, and she watched the others moving here and there in little groups. She drank a glass of ice water greedily. They were leaving her alone, out of respect or out of helplessness. What could they say to her? For the most part, they knew very little of what had actually taken place. They would never understand her abduction, as they called it, her captivity and the assaults that had been made upon her. What good, people they were. They genuinely cared, but there was nothing they could do now, except leave her alone.

Mona stood next to her. Mona bent and kissed her cheek, doing this very slowly, so that at any time, Rowan might have stopped her. Rowan didn’t. On the contrary, she took Mona’s wrist, pulled her close, and kissed her back, loving the soft baby feel of her skin, thinking only in passing how Michael must have enjoyed this skin, to see, to touch, to penetrate.

“I’m going upstairs to

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