The tale of the body thief - By Anne Rice Page 0,117

painful thing?” she asked.

“It was painful because I fought. I didn’t want it to happen. I didn’t really know what was being done to me. It seemed some monster out of the medieval past had captured me, and dragged me out of the civilized city. You must remember in those years that Paris was a wonderfully civilized place. Oh, you would think it barbaric beyond description if you were spirited there now, but to a country lord from a filthy castle, it was so exciting, what with the theatres, and the opera, and the balls at court. You can’t imagine. And then this tragedy, this demon coming out of the dark and taking me to his tower. But the act itself, the Dark Trick? It isn’t painful, it’s ecstasy. And then your eyes are opened, and all humanity is beautiful to you in a way that you never realized before.”

I put on the clean skivvy shirt which she gave to me, and climbed under the covers, and let her bring the covers up to my chin. I felt as if I were floating. Indeed, this was one of the most pleasant feelings I’d experienced since I’d become mortal—this feeling like drunkenness. She felt my pulse and my forehead. I could see the fear in her, but I didn’t want to believe it.

I told her that the real pain for me as an evil being was that I understood goodness, and I respected it. I had never been without a conscience. But all my life—even as a mortal boy—I had always been required to go against my conscience to obtain anything of intensity or value.

“But how? What do you mean?” she asked.

I told her that I had run off with a band of actors when I was a boy, committing an obvious sin of disobedience. I had committed the sin of fornication with one of the young women of the troupe. Yet those days, acting on the village stage and making love, had seemed of inestimable value! “You see, that’s when I was alive, merely alive. The trivial sins of a boy! After I was dead, every step I took in the world was a commitment to sin, and yet at every turn I saw the sensual and the beautiful.”

How could this be, I asked her. When I’d made Claudia a child vampire, and Gabrielle, my mother, into a vampire beauty, I’d been reaching again for an intensity! I’d found it irresistible. And in those moments no concept of sin made sense.

I said more, speaking again of David and his vision of God and the Devil in the café, and of how David thought that God was not perfect, that God was learning all the time, and that, indeed, the Devil learned so much that he came to despise his job and beg to be let out of it. But I knew I had told her all these things before in the hospital when she’d been holding my hand.

There were moments when she stopped her fussing with the pillows, and with pills and glasses of water, and merely looked at me. How still her face was, how emphatic her expression, the dark thick lashes surrounding her paler eyes, her large soft mouth so eloquent of kindness.

“I know you are good,” I said. “I love you for it. Yet I would give it to you, the Dark Blood, to make you immortal—to have you with me in eternity because you are so mysterious to me and so strong.”

There was a layer of silence around me, a dull roaring in my ears, and a veil over my eyes. I watched motionless as she lifted a syringe, tested it apparently by squirting a tiny bit of silver liquid into the air, and then put the needle into my flesh. The faint burning sensation was very far away, very unimportant.

When she gave me a large glass of orange juice I drank this greedily. Hmmm. Now this was something to taste, thick like blood, but full of sweetness and strangely like devouring light itself.

“I’d forgotten all about such things,” I said. “How good it tastes, better than wine, really. I should have drunk it before. And to think I would have gone back without knowing it.” I sank down into the pillow and looked up at the bare rafters of the low sloping ceiling. Nice clean little room, very white. Very simple. Her nun’s cell. Snow was falling gently outside the little window. I counted twelve