‘You share it?’ He stares at me. ‘How can you share a computer? That’s insane.’
‘We make it work.’ I shrug. ‘We take turns.’
‘But …’ He seems almost speechless. ‘But how do you send each other emails?’
‘If I want to correspond with the girls from home, I send a fax,’ says Mrs Kendrick, a little defiantly. ‘Most convenient.’
‘A fax?’ Robert looks from me to Clarissa, his face pained. ‘Tell me she’s joking.’
‘We fax a lot,’ I say, gesturing at the fax machine. ‘We send faxes to supporters, too.’
Robert walks over to the fax machine. He stares at it for a moment, breathing hard.
‘Do you write with bloody quill pens, too?’ he says at last, looking up. ‘Do you work by candlelight?’
‘I know our working practices may seem a bit different,’ I say defensively, ‘but they work.’
‘Bollocks they do,’ he says forcefully. ‘You can’t run a modern office like this.’
I don’t dare look at Mrs Kendrick. ‘Bollocks’ is very, very, very much not a Mrs Kendrick word.
‘It’s our system,’ I say. ‘It’s idiosyncratic.’
Beneath my defiance I do feel a tad uncomfortable. Because when I first arrived at Willoughby House and was shown the Boxes and the fax machine, I reacted in the same way. I wanted to sweep them all away and become paperless and lots of other things, too. I had all kinds of proposals. But Mrs Kendrick’s Way ruled, as it does now. Every idea I put forward was rejected. So gradually I got used to the Boxes and the fax machine and all of it. I suppose I’ve been conditioned.
But then, does it matter? Does it matter if we’re a bit old-fashioned? What right does this guy have to come and swagger around and tell us how to run an office? We’re a successful charity, aren’t we?
His gaze is sweeping around the room again. ‘I’ll be back soon,’ he says ominously. ‘This place needs knocking into shape. Or else.’
Or else?
‘Well!’ says Mrs Kendrick, sounding a little shell-shocked. ‘Well. Robert and I are going out for lunch now, and later on we’ll have a little chat. About everything.’
The two of them turn to leave, while Clarissa and I watch in silence.
When the sound of their footsteps has disappeared, Clarissa looks at me. ‘Or else what?’ she says.
‘I don’t know.’ I look at the carpet, which still bears an impression of his big, heavy man-shoes. ‘And I don’t know what right he has to come and order us around.’
‘Maybe Mrs Kendrick is retiring and he’s going to be our boss,’ ventures Clarissa.
‘No!’ I say in horror. ‘Oh my God, can you imagine him talking to the volunteers? “Thank you for coming, now please all fuck off.”’
Clarissa snuffles with giggles, and she can’t stop, and I start laughing too. I don’t share my slightly darker thought, which is that there’s no way Robert wants to run this place, and it’s a prime piece of London real estate and it always comes down to money in the end.
At last, Clarissa calms down and says she’s going to make coffee. I sit down at my desk and start typing up my report, trying to put the morning’s events behind me. But I can’t. I’m all churned up. My anxious fears are fighting with defiance. Why shouldn’t this be the last quirky corner of the world? Why should we conform? I don’t care who this guy is or what claim he has on Willoughby House. If he wants to destroy this special, precious place and turn it into condos, he’ll have to go through me first.
After work I have to go to a talk on Italian painting given by one of our supporters, so I don’t arrive home till nearly 8 p.m. There’s a quiet atmosphere in the house, which means the girls have gone to sleep. I pop upstairs to kiss their slumbering cheeks, tuck them in and turn Anna the right way around in bed. (Her feet always end up on the pillow, like Pippi Longstocking.) Then I head downstairs to find Dan sitting in the kitchen with a bottle of wine in front of him.
‘Hi,’ I greet him. ‘How was your day?’
‘Fine.’ Dan gives a shrug. ‘Yours?’
‘Some pencil-pusher is coming to boss us about,’ I say gloomily. ‘Mrs Kendrick’s nephew. He wants to “take an interest”, apparently. Or, you know, shut us down and build condos.’
Dan looks up, alarmed. ‘Did he say that? Jesus.’
‘Well, no,’ I admit. ‘But he said we had to change, or else.’ I