In a Strange Room: Three Journeys Page 0,49
this house, far away from all the old familiar sites, is like a fresh beginning, the possibility of home.
The move isn’t easy, he has to take all his things out of storage and hire vans to load everything up and conscript friends to help him drive. The house, when he gets there, is like nowhere he’s ever lived before. It’s rustic and rough, with a thatched roof and concrete floors and a windmill turning outside the bedroom window. His friends help him unload and then drive back to Cape Town almost immediately, leaving him alone amongst the piles and piles of boxes.
That first night he sits on the back step, looking out across a back yard choked with weeds to the occasional lights of trucks on the single road that passes the town. He watches the moon come up over the stony tops of the valley and gets gently drunk on sherry and wonders what he’s done to himself now.
But over the next few days, as he sweeps and cleans and unpacks the boxes and puts his possessions into place, he starts to feel better about where he is. It doesn’t belong to him, but he lives here, he doesn’t need to leave unless he wants to. And as the shapes of the rooms and the noises of the roof become familiar, a sort of intimacy develops between him and the place, they put out tendrils and grow into each other. This process deepens as his life overflows outdoors, he starts pulling up the weeds in the garden, he digs furrows and lets water run to the fruit trees and the rose-bushes, and when old dead branches begin to sprout buds and leaves, and then bright bursts of colour, he feels as if it’s happening inside himself.
By then the little town and even the landscape around it are also connected to him, there is no interruption between him and the world, he isn’t separate any more from what he sees. When he goes out the front door now it isn’t to catch a bus, or to find another hotel, he walks into the mountains and then he comes back home again. Home. Sometimes he stops on whatever dirt road he’s followed today and looks back down the valley to the town, and then he always picks out the tiny roof under which he will be sleeping tonight.
He doesn’t feel like a traveller any more, it’s hard to imagine that he ever thought of himself that way, and when he finally settles himself to write a letter to Jerome it’s like a stranger willing up the words. He tells about where he is and what it’s like to be here, and says that he hopes Jerome will come to visit him one day.
A week after he sends the letter an envelope arrives from Switzerland. He doesn’t recognize the handwriting, but the stamp is clearly visible, and it’s with a sense of excitement that he sits down to read. When he opens the envelope his own letter falls out, like a piece of the past returned to his hands. The single stiff card that accompanies it says, Dear Sir, I’m very sorry to break the death of Jerome to you. He died on the 26th of November in an accident of motorbike. His mother asked me to send you your letter back. The signature at the bottom is that of a stranger, and even as he sits at the epicentre of this soundless white explosion, that separate watchful part of his brain is back again, reading over his shoulder, trying to decipher the name, aware of all the oddities of language, working out when it happened. One week to the day after I got back home.
A journey is a gesture inscribed in space, it vanishes even as it’s made. You go from one place to another place, and on to somewhere else again, and already behind you there is no trace that you were ever there. The roads you went down yesterday are full of different people now, none of them knows who you are. In the room you slept in last night a stranger lies in the bed. Dust covers over your footprints, the marks of your fingers are wiped off the door, from the floor and table the bits and pieces of evidence that you might have dropped are swept up and thrown away and they never come back again. The very air closes behind you like water and soon