Storm Front - By Jim Butcher Page 0,15

hundred inside," she told me. "Is that enough for now?"

Cha-ching. Five hundred dollars would take care of last month's rent and a good bit of this month's, too. I could get into this bit with nervous clients wanting to preserve the anonymity of their checking accounts from my supposed sorcerous might. Cash always spends.

"That will be fine, yes," I told her. I tried not to fondle the envelope. At least I wasn't crass enough to dump the money on my desk and count it out.

She drew out another envelope. "He took most of his things with him," she said. "At least, I couldn't find them where he usually keeps them. But I did find this." There was something in the envelope, making it bulge, an amulet, ring, or charm of some kind, I was betting. A third envelope came out of her purse—the woman must be compulsively well organized. "There's a picture of him in here, and my phone number inside. Thank you, Mr. Dresden. When will you call?"

"As soon as I know something," I told her. "Probably by tomorrow afternoon or Saturday morning. Sound good?"

She almost looked at my eyes, caught herself, and smiled directly at my nose instead. "Yes. Yes, thank you so much for your help." She glanced up at the wall. "Oh, look at the time. I need to go. School's almost out." She closed her teeth over her words and flushed again, as though embarrassed that she had let such an important fact about her slip out.

"I'll do whatever I can, ma'am," I assured her, rising, and walking her to the door. "Thank you for your business. I'll be in touch soon."

She said her good-byes, never looking me in the face, and fled out the door. I shut it behind her and went back to the envelopes.

First, the money. It was all in fifties, which always look new even when they're years old because they get so little circulation. There were ten of them. I put them in my wallet, and trashed the envelope.

The envelope with the photo in it was next. I took it out and regarded a picture of Monica and a man of lean and handsome features, with a wide forehead and shaggy eyebrows that skewed his handsomeness off onto a rather eccentric angle. His smile was whiter-than-white, and his skin had the smooth, dark tan of someone who spends a lot of time in the sun, boating maybe. It was a sharp contrast against Monica's paleness. Victor Sells, I presume.

The phone number was written on a plain white index card that had been neatly trimmed down to fit inside the envelope. There was no name or area code, just a seven-digit number. I got out my cross-listing directory and looked it up.

I noted that down as well. I wondered what the woman had expected to accomplish by only giving out first names, when she had been going to hand me a dozen other ways of finding out in any case. It only goes to show that people are funny when they're nervous about something. They say screwy things, make odd choices which, in retrospect, they feel amazingly foolish for making. I would have to be careful not to say anything to rub that in when I spoke to her again.

I trashed the second envelope and opened the last one, turning it upside down over my desk.

The brown husk of a dead, dried scorpion, glistening with some sort of preservative glaze, clicked down onto my desk. A supple, braided leather cord led off from a ring set through the base of its tail, so that if it was worn, it would hang head down, tail up and curled over the dried body to point at the ground.

I shuddered. Scorpions were symbolically powerful in certain circles of belief. They weren't usually symbols of anything good or wholesome, either. A lot of petty, mean spells could be focused around a little talisman like that. If you wore it next to your skin, as such things are supposed to be worn, the prickly legs of the thing would be a constant poking and agitation at your chest, a continual reminder that it was there. The dried stinger at the tail's tip might actually pierce the skin of anyone who tried to give the wearer a hug. Its crablike pincers would catch in a man's chest hair, or scratch at the curves of a woman's breasts. Nasty, unpleasant thing. Not evil, as such—but you sure as

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