ask her, but I was interrupted by a commotion followed by the crack of wood.
I looked up to see the senator’s chair sliding along the concrete on its side. I couldn’t immediately see a cause for it—so it was probably something Wulfe had done. When it had gone over, it’d knocked over a small table where the witches had kept an array of sharp objects.
I jogged over, one eye on Wulfe and the witches. To my shame, Senator Campbell had not been a priority for me, though he was the most vulnerable of us. It was past time to get the senator free of his bonds so at least he could run. Not that running would help him escape the zombies, but maybe he could get out of the way of stray blows not directed at him.
Rather than try to pull the chair upright, I just used a short-bladed knife that had been among the witches’ scattered implements. It had no trouble slicing through the ropes Campbell had been tied to the chair with. Once he was freed, I helped the senator lurch to his feet.
With a hand under his elbow, I urged him to the relative safety of the space near Elizaveta. She might even be inclined to help keep him alive. I gave him the knife and he went to work on his gag. As I turned to see what the witches were doing, I got a whiff of fresh blood—a lot of it. We’d left a blood trail behind us. The senator’s pant leg was wet with it—and someone had chewed a hole in his leg.
I reviewed that first flash of a glance I’d taken upon my arrival to the tableau on the patio. Abbot had been curled around Senator Campbell’s leg. He’d evidently been chewing. I didn’t know if he’d been doing it because he was a witch and powering himself up with the senator’s pain. Or if he was a zombie now. He hadn’t smelled like a witch when I’d met him before—but male witches aren’t as powerful as the females. It was possible that Magda’s scent had masked his.
I looked for Abbot, but I didn’t see him. Maybe he’d ended up on the outside of Elizaveta’s circle.
I scanned the darkness, but all I could see were the zombies crowded thickly around us. They were all focused on coming to Magda’s aid. As Wulfe had said, the majority of them were humans, but I saw a border collie and a pair of cats.
I glanced over at the witches and was caught in the beauty of their battle. The stench of black magic was so thick that it seemed almost unconnected with the fight between Wulfe and the witches.
I could not see the magic, just felt it on my skin and in my flesh. Some was so vile that I felt as if I would never be able to wash it from my body. Some of it was sharp and sparkly, and it felt the way fireflies look. But that, too, seemed unconnected to their combat. Impossible that such foulness could be a part of the beauty of their dance. When the fight had begun, it had been a thing of gestures, of hands and fingers. Deep into their battle, they moved as if they were doing kata—quick and graceful movements that used their whole bodies.
Wulfe’s body had the fluid grace of one of the big cats. Patience’s dance consisted of small, efficient movements—precision was her guiding force. Magda—the one I’d have expected grace from—moved instead with jerks and stomps. There was power in her dance, but not elegance.
After a few seconds I began to see the flow of power. I couldn’t see the magic that passed between them, but I could infer the path from the connections between the three of them.
I’d seen crime scenes on TV shows where yarn was strung to trace lines of bullet trajectories. If there were enough bullets fired, the string pattern was oddly beautiful, like a freshman art project. The witches’ combat reminded me of that.
One of the zombies was big enough it caught my eye and I turned to see that the dragon zombie—a huge wound across its face beginning to scab over as I watched—was dragging its claws against the invisible wall of Elizaveta’s working. The cutlass was gone.
Adam’s life was bright and whole on the other side of our bond. I could feel the wild joy of battle shiver into my blood. Adam was fine.