Stern Men - By Elizabeth Gilbert Page 0,46

not simply appear on Fort Niles with no family chronicle to account for oneself. It made people uneasy.

Ruth Thomas’s grandmother—her mother’s mother—had been an orphan with the uninspired, hastily invented name of Jane Smith. In 1884, as a tiny baby, Jane Smith was left on the steps of the Bath Naval Orphans’ Hospital. The nurses collected her and bathed her and bestowed upon her that ordinary name, which they decided was as good a name as any. At the time, the Bath Naval Orphans’ Hospital was a relatively new institution. It had been founded just after the Civil War for the benefit of children orphaned by that war; specifically for the children of naval officers killed in battle.

The Bath Naval Orphans’ Hospital was a rigorous and well-organized institution, where cleanliness and exercise and regular bowels were encouraged. It is possible that the baby who came to be known as Jane Smith was the daughter of a sailor, perhaps even a naval officer, but there were no clues whatsoever on the baby to indicate this. There was no note, no telling object, no distinctive clothing. Just a healthy enough baby, swaddled tightly and set quietly on the orphanage steps.

In 1894, when the orphan called Jane Smith turned ten, she was adopted by a certain gentleman by the name of Dr. Jules Ellis. Jules Ellis was a young man, but he had already made a good name for himself. He was the founder of the Ellis Granite Company, of Concord, New Hampshire. Dr. Jules Ellis, it seemed, always took his summer holidays on the Maine islands, where he had several lucrative quarries in operation. He liked Maine. He believed the citizens of Maine to be exceptionally hardy and decent; therefore, when he decided it was time to adopt a child, he sought one from a Maine orphanage. He thought that would vouchsafe him a hearty girl.

His reason for adopting a girl was as follows. Dr. Jules Ellis had a favorite daughter, an indulged nine-year-old named Vera, and Vera insistently asked for a sister. She had several brothers, but she was bored to death with them, and she wanted a girl playmate for companionship over those long, isolated summers on Fort Niles Island. So Dr. Jules Ellis acquired Jane Smith as a sister for his little girl.

“This is your new twin sister,” he told Vera on her tenth birthday.

Ten-year-old Jane was a big, shy girl. On her adoption, she was given the name Jane Smith-Ellis, another invention that she accepted with no more protest than she had shown the first time she was christened. Mr. Jules Ellis had put a great red bow on the girl’s head the day he presented her to his daughter. Photographs were taken on that day; in them, the bow looks absurd on the big girl in the orphanage dress. The bow looks like an insult.

From that time forward, Jane Smith-Ellis accompanied Vera Ellis everywhere. On the third Saturday of every June, the girls traveled to Fort Niles Island, and on the second Saturday of every September, Jane Smith-Ellis accompanied Vera Ellis back to the Ellis mansion in Concord.

There is no reason to imagine that Ruth Thomas’s grandmother was ever considered for a moment to be the actual sister of Miss Vera Ellis. Although adoption made the girls legal siblings, the thought that they deserved equal respect in the Ellis household would have been farcical. Vera Ellis did not love Jane Smith-Ellis as a sister, but she fully relied on her as a servant. Although Jane Smith-Ellis had the responsibilities of a handmaid, she was, by law, a member of the family, and consequently received no salary for her work.

“Your grandmother,” Ruth’s father had always said, “was a slave to that goddamn family.”

“Your grandmother,” Ruth’s mother had always said, “was fortunate to have been adopted by a family as generous as the Ellises.”

Miss Vera Ellis was not a great beauty, but she had the advantage of wealth, and she passed her days exquisitely dressed. There are photographs of Miss Vera Ellis perfectly outfitted for swimming, riding, skating, reading, and, as she grew older, for dancing, driving, and marrying. These turn-of-the-century costumes were intricate and heavy. It was Ruth Thomas’s grandmother who kept Miss Vera Ellis tight in her buttons, who sorted her kidskin gloves, who tended to the plumes of her hats, who rinsed her stockings and lace. It was Ruth Thomas’s grandmother who selected, arranged, and packed the corsets, slips, shoes, crinolines, parasols, dressing gowns, powders, brooches,

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