Lola and the Boy Next Door(22)

“Monday.”

“Two DAYS from now?” Why couldn’t I stop crying? I was such an idiot!

“Calliope is going back to her last coach.” He sounded helpless. “It’s not working out here.”

“Is everything not working out here?” I blurted. “There’s nothing you want to say to me before you leave?”

Cricket’s mouth parted, but it remained silent. His difficult equation face. A full minute passed, maybe two. “At least we have that in common,” I finally said. “There’s nothing I want to say to you either.”

And I slammed my window closed.

Chapter seven

He was doing it right there in the open!” I say. “I’m serious, Charlie was admiring your derriere in chemistry.”

Lindsey brushes it off. “Even if he was, which I sincerely doubt, you know my policy. No guys—”

“Until graduation. I just thought that since it was Charlie . . . and since his eyes did follow you across the room . . .”

“No.” And she takes a ferocious bite of her almond-butterand-jelly sandwich to end the conversation. I hold up my hands in a gesture of peace. I know better than to keep arguing, even if she has had a silent crush on Charlie Harrison-Ming ever since he won twice as many points as her in last year’s Quiz Bowl.

Our first week as juniors at Harvey Milk Memorial High has been as expected. The same boring classes, the same nasty mean girls, and the same perverted jerks. At least Lindsey and I have lunch together. That helps.

“Hey, Cleopatra. Wanna take a ride down my Nile?”

Speaking of jerks. Gregory Figson bumps knuckles with a muscled friend. I’m wearing a long black wig with straight bangs, a white dress I made from a bedsheet, chunky golden jewelry, and—of course—ancient Egyptian eyes drawn in kohl.

“No,” I say flatly.

Gregory grabs his chest with both hands. “Nice pyramids,” he says, and they swagger away, laughing.

“Just when I thought he couldn’t get any more disgusting.” I set down my veggie burger, appetite eliminated.

“And as if I needed another reason to wait,” Lindsey says. “High school boys are morons.”

“Which is why I don’t date high school boys. I date men.”

Lindsey rolls her eyes. Her main reason for waiting to date is that she believes it’ll get in the way of her agenda. Agenda is her term, not mine. She thinks guys are a distraction from her educational goals, so she doesn’t want to date until she’s firmly settled in post-high-school life. I respect her decision, even though I’d rather wear sweatpants in public than give up my boyfriend.

Or give up my first opportunity to attend the winter formal. It’s for upperclassmen only, and it’s still months away, but I’m thrilled about my Marie Antoinette dress, which I’ve already started collecting materials for. Shimmering silk dupioni and crisp taffeta. Smooth satin ribbon. Delicate ostrich feathers and ornate crystal jewelry. I’ve never attempted a project this complex, this huge, and it’ll take my entire autumn to create.

I decide to begin when I get home. It’s Friday, and for once I don’t have to work. Also, Amphetamine is playing in a club tonight that doesn’t accept anyone under twenty-one. And won’t allow Max to sneak me in.

From everything I’ve read online, I need to start with the undergarments.

I’ve already bought a ton of fabric for the dress, but the costume still has to be built from the inside out so that when I take the measurements for the actual gown, I can take them over the bulky stays (an eighteenth-century word for corset) and the giant panniers (the oval-shaped hoop skirts Marie and her ladies wore) .

I search for hours for instructions on making historically accurate panniers and come up with zilch. Unless I want to make them with hula hoops, and I don’t, I’ll have to go to the library for more research. Searching for stays brings more success. The diagrams and instructions are overwhelming, but I print out several pages and begin taking measurements and creating a pattern.

I’ve been sewing for three years, and I’m pretty decent. I started with the small stuff, like everyone does—hemming, A-line skirts, pillowcases—but quickly moved on to bigger items, each more complex than the last. I’m not interested in making what’s easy.

I’m interested in making what’s beautiful.

I lose myself in the process: tracing out patterns on tissue paper, fitting them together, retracing, and refitting. Nonsewers don’t realize how much problem solving goes into garment making, and beginners often quit in frustration. But I enjoy the puzzle. If I looked at this dress as one massive thing, it would be too overwhelming. No one could create such a gown. But by breaking it into tiny, individual steps, it becomes something I can achieve.

When my room finally grows too dark, I’m forced to rise from the floor and plug in my twinkle lights. I stretch my sore muscles and stare at my window.

Will he come home this weekend?