Shannon laughed and decided that the best word for the strange emotion in his chest was “love.”
He looked at his student. The boy had become a man, and in him Shannon saw a flickering potential that just might grow strong enough to give the world hope.
Nicodemus looked back at Shannon. His young face was lit by several incandescent paragraphs. The bright words had illuminated his smile with soft white light and, by contrast, filled his dark eyes with a joyful, sparkling black.
ACKNOWLEDGMENTS
Writing a novel is like escaping a cocoon you spun when you were someone less wise.
That being so, a complete list of my gratitude would include everyone who helped me come to terms with my disability. However, listing all the teachers, students, and friends who supported me would make Spellwright heavy enough to qualify as exercise equipment. So if you’ve opened this book because of the name on its spine—rather than its title—know that you are appreciated and loved.
My particular gratitude I dedicate to those who sacrificed for and believed in Spellwright: to James Frenkel, for limitless wisdom and gallons of industrial-strength editorial elbow grease; to Matt Bialer, for taking a chance on a young writer and helping him grow; to Todd Lockwood and Irene Gallo, for the stunning cover; to Tom Doherty and everyone at Tor, for their support; to Stanford Medical School and the Medical Scholars Research Program, for making my dual career possible; to Tad Williams, my glabrous, fantasy-writing, YMCA-basketball Jedi Master, whose fingerprints are all over this story; to Daniel Abraham, for lunar physics explanations and inspiring the concept of “quaternary thoughts” with a casual and brilliant comment over lunch; to Terra Chalberg, friend and publication guardian angel during a trying time; to Nina Nuangchamnong and Jessica Weare, foul-weather-friends and manuscript polishers extraordinaire; to Dean Laura King—wherever she might be—for pulling me out of the rabid premed wolf pack and teaching me to write and chase dreams; to Joshua Spanogle, for friendship and advice on the med student-novelist life; to Swaroop Samant and Erin Cashier, for fiery criticism and golden praise; to Asya Agulnik, Deanna Hoak, Kevan Moffett, Julia Manzerova, Mark Dannenberg, Nicole C. Hastings, Tom DuBois, Amy Yu, Ming Cheah, and Christine Chang, for fresh perspectives and wisdom; to Kate Sargent, for slogging though clunky early drafts; to The Wordspinners (Madeleine Robins, Kevin Andrew Murphy, Jaqueline Schumann, Jeff Weitzel, and Elizabeth Gilligan), for fellowship and teaching me how to talk shop; to Andrea Panchok-Berry, for reading the first, very misspelled draft; to Vicky Greenbaum, for early en-couragement and inspiration; and, with all of my love, to Genevieve Johansen, Louise Buck, and Randy Charlton, for believing in me and for being such a wonderful family.
ABOUT THE AUTHOR
Blake Charlton first overcame severe dyslexia in the sixth grade when he began sneaking fantasy and science fiction books into special-ed study hall. Inspired, he went on to graduate summa cum laude and Phi Beta Kappa from Yale University. After college, he worked as an English teacher, a medical writer for UCSF and Stanford, a tutor for the learning disabled, and a junior varsity football coach. Blake is currently a third-year medical student at Stanford Medical School, where he teaches creative writing for medical students and has received a fellowship to write fiction. Spellwright is his first novel. His hobbies include cycling, swimming, backpacking, and collecting jokes about dyslexia and premature baldness.
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Blake Charlton asserts the moral right to be identified as the author of this work
Map by Rhys Davies
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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