Speaker for the Dead (Ender's Saga, #2) - Orson Scott Card Page 0,54
you make, and if you are careless even once they will catch you.
That means you can't even mention a piggy whose name is derived from cultural contamination: "Cups" would tell them that we have taught them rudimentary potterymaking. "Calendar" and "Reaper" are obvious. And God himself couldn't save us if they learned Arrow's name.
--Memo from Liberdade Figueira de Medici to Ouanda Figueira Mucumbi and Miro Ribeira von Hesse, retrieved from Lusitanian files by Congressional order and introduced as evidence in the Trial in Absentia of the Xenologers of Lusitania on Charges of Treason and Malfeasance
Novinha lingered in the Biologista's Station even though her meaningful work was finished more than an hour ago. The cloned potato plants were all thriving in nutrient solution; now it would be a matter of making daily observations to see which of her genetic alterations would produce the hardiest plant with the most useful root.
If I have nothing to do, why don't I go home? She had no answer for the question. Her children needed her, that was certain; she did them no kindness by leaving early each morning and coming home only after the little ones were asleep. And yet even now, knowing she should go back, she sat staring at the laboratory, seeing nothing, doing nothing, being nothing.
She thought of going home, and could not imagine why she felt no joy at the prospect. After all, she reminded herself, Marcão is dead. He died three weeks ago. Not a moment too soon. He did all that I ever needed him for, and I did all that he wanted, but all our reasons expired four years before he finally rotted away. In all that time we never shared a moment of love, but I never thought of leaving him. Divorce would have been impossible, but desquite would have been enough. To stop the beatings. Even yet her hip was stiff and sometimes painful from the last time he had thrown her to the concrete floor. What lovely memorabilia you left behind, Cáo, my dog of a husband.
The pain in her hip flared even as she thought of it. She nodded in satisfaction. It's no more than I deserve, and I'll be sorry when it heals.
She stood up and walked, not limping at all even though the pain was more than enough to make her favor the hip. I'll not coddle myself, not in anything. It's no worse than I deserve.
She walked to the door, closed it behind her. The computer turned off the lights as soon as she was gone, except those needed for the various plants in forced photosynthetic phase. She loved her plants, her little beasts, with surprising intensity. Grow, she cried out to them day and night, grow and thrive. She would grieve for the ones that failed and pinch them dead only when it was plain they had no future. Now as she walked away from the station, she could still hear their subliminal music, the cries of the infinitesimal cells as they grew and split and formed themselves into ever more elaborate patterns. She was going from light into darkness, from life into death, and the emotional pain grew worse in perfect synchronicity with the inflammation of her joints.
As she approached her house from over the hill, she could see the patches of light thrown through the windows and out onto the hill below. Quara's and Grego's room dark; she would not have to bear their unbearable accusations-- Quara's in silence, Grego's in sullen and vicious crimes. But there were too many other lights on, including her own room and the front room. Something unusual was going on, and she didn't like unusual things.
Olhado sat in the living room, earphones on as usual; tonight, though, he also had the interface jack attached to his eye. Apparently, he was retrieving old visual memories from the computer, or perhaps dumping out some he had been carrying with him. As so many times before, she wished she could also dump out her visual memories and wipe them clean, replace them with more pleasant ones. Pipo's corpse, that would be one she'd gladly be rid of, to be replaced by some of the golden glorious days with the three of them together in the Zenador's Station. And Libo's body wrapped in its cloth, that sweet flesh held together only by the winding fabric; she would like to have instead other memories of his body, the touch of his lips, the expressiveness of his delicate