Speaker for the Dead (Ender's Saga, #2) - Orson Scott Card Page 0,161

will look very good on your résumé."

Ender found that Olhado was a much better driver than he was. The boy's depth perception was better, and when he plugged his eye directly into the onboard computer, navigation practically took care of itself. Ender could devote his energies to looking.

The scenery seemed monotonous when they first began these exploratory flights. Endless prairies, huge herds of cabra, occasional forests in the distance-- they never came close to those, of course, since they didn't want to attract the attention of the piggies that lived there. Besides, they were looking for a home for the hive queen, and it wouldn't do to put her too close to any tribe.

Today they headed west, on the other side of Rooter's Forest, and they followed a small river to its outlet. They stopped there on the beach, with breakers rolling gently to shore. Ender tasted the water. Salt. The sea.

Olhado got the onboard terminal to display a map of this region of Lusitania, pointing out their location, Rooter's Forest, and the other piggy settlements nearby. It was a good place, and in the back of his mind Ender could sense the hive queen's approval. Near the sea, plenty of water, sunny.

They skimmed over the water, traveling upstream a few hundred meters until the right bank rose to form a low cliff. "Any place to stop along here?" asked Ender.

Olhado found a place, fifty meters from the crown of the hill. They walked back along the river's edge, where the reeds gave way to the grama. Every river on Lusitania looked like this, of course. Ela had easily documented the genetic patterns, as soon as she had access to Novinha's files and permission to pursue the subject. Reeds that co-reproduced with suckflies. Grama that mated with watersnakes. And then the endless capim, which rubbed its pollen-rich tassels on the bellies of fertile cabra to germinate the next generation of manure-producing animals. Entwined in the roots and stems of the capim were the tropeqos, long trailing vines that Ela proved had the same genes as the xingadora, the groundnesting bird that used the living plant for its nest, The same sort of pairing continued in the forest: Macio worms that hatched from the seeds of merdona vines and then gave birth to merdona seed. Puladors, small insects that mated with the shiny-leafed bushes in the forest. And, above all, the piggies and the trees, both at the peak of their kingdoms, plant and animal merged into one long life.

That was the list, the whole list of surface animals and plants of Lusitania. Under water there were many, many more. But the Descolada had left Lusitania monotonous.

And yet even the monotony had a peculiar beauty. The geography was as varied as any other world-- rivers, hills, mountains, deserts, oceans, islands. The carpet of capim and the patches of forest became background music to the symphony of landforms. The eye became sensitized to undulations, outcroppings, cliffs, pits, and, above all, the sparkle and rush of water in the sunlight. Lusitania, like Trondheim, was one of the rare worlds that was dominated by a single motif instead of displaying the whole symphony of possibility. With Trondheim, however, it was because the planet was on the bare edge of habitability, its climate only just able to support surface life. Lusitania's climate and soil cried out a welcome to the oncoming plow, the excavator's pick, the mason's trowel. Bring me to life, it said.

Ender did not understand that he loved this place because it was as devastated and barren as his own life, stripped and distorted in his childhood by events every bit as terrible, on a small scale, as the Descolada had been to this world. And yet it had thrived, had found a few threads strong enough to survive and continue to grow. Out of the challenge of the Descolada had come the three lives of the Little Ones. Out of the Battle School, out of years of isolation, had come Ender Wiggin. He fit this place as if he had planned it. The boy who walked beside him through the grama felt like his true son, as if he had known the boy from infancy. I know how it feels to have a metal wall between me and the world, Olhado.

But here and now I have made the wall come down, and flesh touches earth, drinks water, gives comfort, takes love. The earthen bank of the river rose in terraces, a dozen