these steps. Two minutes ago she left. Train thundering through the station in the town. No anger. Gave her fear. I mind so much. To keep her, must let her go. My hands folded under elderberry blossoms today. All marked with dying. Start off in the carnation smell of Brandy's death wagon to meet Bonni-face on the train. Find him enthroned on an ice block. We all get left.
Smith rose in die elevator. To a room full of flowers. Low table with a bucket of ice and thermos of wine. Across soft green carpets, a bedroom. Fat white marble lamps. The window looking down at the train tracks. Shingled roof of the station. The road under the bridge and up round the war memorial in front of the hospital, curving down again to the river and the highway that has taken Miss Tomson away.
Lock the door. Draw the curtains tightly. Sit. Take a sip of punch. Close eyes. What you want so much you lose. Die and carry me away. Once at college, I thought I'm dying. And tried to run. From the terrible loneliness. Bereft in those university rooms, cold and tall ceilinged, late at night. I fell to my bed. Looked from the top of my head down to my toes. Said I'll never make enough money to live. And too young to die. I thought at least I would make a stagger for it while ticking my last. Go down from a standing position. And out I went from my college rooms hobbling down the old stone stairs, clutching wall and banister. Yelling to two students busy peeing against the college granite. Said help me I'm having a heart attack. They looked at each other and tried to smile. I said through my faint breath, I'm not kidding, I'm George Smith of number 38 College and I'm dying. They carried me out across nightly lit cobble squares of college. A moist dark wind blowing. And slumped in their students' arms, they finally carried me by the feet as well. At the porter's gate I squeaked tell my tutor to please see to my affairs. Porters made a space and let the red glow of embers shine on me. My china, cut glass, plain glass, and collection of Georgian decanters are bequeathed to college. My tapestries too. To help remember me. Dead so young. My head fell back against the lodge wall. The porters' scary eyes. Which were tickled at first for the college was famous for jokes. I said call a taxi, and one pulled in under the archway. I was loaded in. An ambulance too white for my last moments. All said goodbye. Waved. Like I did to Sally tonight. A hope to bring you back again. In front of the hospital I crept for the door feeling I must not make any movements, said taxi man I'll pay you later. And he nearly had a seizure, gasping he wanted it now. I dug into my pocket. Only that it was necessary to give all my energies to my own heart attack I would have hit him several times. I limped inside. Three medicos I knew by sight from the university having tea. They made a merry word. Not to be cheered I asked them, listen before it ticks its last. Out came the stethoscopes. They said together, my God what a heart. Will pump for years. Are you sure. We are certain. Are you absolutely. We are and will write it on a piece of paper for you. And sign it. And Sally it was dawn that night too when I went back to my college rooms sheepish and took up this little note which has lain in my wallet since and read it now, worn and old round the edges.
YOUR HEART IS ALL RIGHT
D. Romney
M. Bradfield
And tonight these many traumas since. Smith sliding the slip of paper back in the wallet between all the thin treasury bills. Shine gone from shoes. Death certificate all filled out. See Mr. Stone in the lobby of Merry Mansions. A fair minded man. He'll say to Hugo Mr. Smith's only a documentation now. Stretched on the feather filled cushions here. Chase Tomson down the roads. And into the hereafter. I let her go. When you must take women. Open their lips with fingers. Speak to the flower. Each petal then will curl back as you tell it with your voice. Big stately bitch you are.