The Shoemaker's Wife Page 0,140

for fantasy characters, building capes, fastening collars, and gluing wings, nor was she meant to live with her mother until the day she died, in service to the family, devoted to the whole instead of her own piece of it.

Enza would not be the meticulous aunt, steam-pressing dollar bills with starch to place inside greeting cards for baptisms, missalettes for first communions and confirmations. She would never sign a card, “With love, Zia Enza.” She was not destined to wear the small, simple hat or the gold knot pin, the marker of the single woman, the spinster, the unadorned and the unloved, good enough for the gold but not the diamond chip.

Enza lived to love.

But she hadn’t known it until she saw Ciro Lazzari again.

Enza was meant to carve out her own way, and be with a man who loved her. She thought it was Vito, with his kind heart and good taste. Vito would give her a proper address, friends of his social standing, and a view from the heights. Until this moment, she’d thought every need she had was met, and all roads to possible happiness had been mapped out; all she had to do was put on her best shoes and follow him.

Vito would not count on her to have children, or fill his world with anything but the joy that comes from two careers, quiet breakfasts in the morning, dinner on the town at night, and glorious Mondays, when the doors of the Metropolitan Opera House would be closed, the stage would be dark, and they could walk in the park and have a late dinner in one of those glazed brick rooms lit by candlelight, its shadows punctured by the scarlet tips of cigarettes.

That was meant to be her life, the sole focus of a man who adored her, in a city that celebrated the best life had to offer. Why would she leave the stability of the world Vito had created for her, to go back in time to the man who’d claimed her heart before he even knew her? What did Ciro Lazzari know about the woman she was now? It seemed reckless to believe Ciro all over again, foolish to consider his pleas, and ill-advised to do as he wished.

But Enza thought that was the nature of love, to catch you unaware and play the notes of your past in a haunting melody over and over again, until you believe it is your aria, your future, too.

But how could she break Vito Blazek’s heart?

And yet she knew that the only thing that had got her this far was listening carefully to her own heart and keeping her own counsel in every situation. When Enza dug deep within herself, she always found the truth. So, as if it were a rope slipped off its mooring, dropping without a sound into the water, setting the boat free, Enza quietly took off Vito Blazek’s engagement ring. She held it between her fingers and looked down at the blood red ruby as it gleamed in the morning light.

The truth was, Enza had never stopped loving Ciro Lazzari from the first moment she saw him, surrounded by four walls of earth in the cemetery at Sant’Antonio. She’d let him go and mourned him when he loved other girls, thinking he wanted something altogether different, and who was she to present herself as an alternative? Enza had grieved for what might have been, and turned away from the pain of it by inventing a new self.

New York City, the enchantments of the opera, the friendships she made, the homes she was welcomed into—why would she ever leave the satisfying and wide-open world Vito had shown her to fall into the arms of Ciro Lazzari? This poor, penniless, motherless soldier, with nothing to recommend him but his words—why would she ever gamble her future on Ciro Lazzari? What thinking woman would?

Enza looked down at the ring in her hand.

Ciro took Enza’s face in his hands. “I have loved you all of my life. I was a boy who knew nothing, but when I met you, somehow I understood everything. I remember your shoes, your hair, the way you crossed your arms over your chest and stood with one foot pointed right and the other left like a dancer. I remember your face over the pit of your sister’s grave. I remember that your skin had the scent of lemon water and roses and that you gave me a peppermint

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