The blood hammers so loud in his head, Marlowe can barely think, but after a moment he gathers himself. ‘Quick! Help me!’ he calls. Wiping the moisture from his brow, he scrambles to his feet and runs to the nearest pew. It is too heavy for him to lift alone, but Wainwright grasps his end and raises it effortlessly. The two men haul it across the door, and then return for two more.
‘’Twill not delay them long,’ Wainwright shouts above the booming echoes. His face is red, his sweat vinegar-sharp in the air.
‘It will buy us a moment or two. That is all I need.’ Fighting back his queasy dread, Marlowe, followed by Wainwright, runs down the nave’s great length. The locals call it Paul’s Walk and it is nearly six hundred feet long, making the cathedral the third-longest in Europe, so the clergy boast. Past the scars of the destruction inflicted by Old Henry’s dissolution and the Chantries Acts they race, under the vaulted roof and past the triforium which gives the cathedral a grandeur that makes Kit wish he was a Christian with a God who would listen to his pleas. He fixes his attention on the stained glass of the great rose window at the east end, hoping to see a glimmer of dawn, although he knows in his heart there is still a good half-hour to go.
In the sanctified interior, Jack Wainwright has calmed a little, though he winces at every crash against the door. ‘What were they doing in that house? Did we really see that … that terrible thing?’ he asks, kneading his hands. Marlowe knows his companion hopes for a denial. When none comes, Wainwright crosses himself and blinks away tears of dread.
‘Put it out of your mind. We have little time left to us. Spend it on whatever pleasant thoughts you can summon.’ Distracted, Marlowe continues to search along the nave.
‘Pleasant thoughts!’ Wainwright exclaims, lifting his hat to run his fingers through sweat-plastered hair.
Marlowe tries to ignore the sour taste of failure. He recalls the hope he felt as he readied himself for the mission at sunset, but as in all his dealings with the Enemy he had also prepared himself for the worst. Now it is a matter of make-do and hope once again. Against his hip, the sack weighs heavily. Will its contents be enough to turn the tide of events?
As the crashes against the great oak door grow louder, he glances back and knows it will not hold much longer.
Grasping a candlestick, the playwright drives the shadows back until he finds the object of his search in the north aisle of the choir. A wooden plaque has been fastened to a pillar to mark the grave of Sir Francis Walsingham. A rush of memories surprises Marlowe with their intensity. Though there had never been any love lost between him and England’s former spymaster, he still thinks the funeral was a sad end to a powerful man.
He recalls standing at that same spot three years ago amid the tight knot of men: Will, Burghley, a handful of others, heads bowed, faces solemn. Candlelight and shadows, the sweet smell of incense, the muttered prayers of the priest rustling all around. The Queen, whom the great man had served so well, was noticeably absent. There had been none of the pomp and ceremony that usually greeted the passing of such a dignitary, no cathedral draped in black, no procession of the curious public to see the interment. The funeral was at night, out of sight of the masses, as if it was a guilty secret to be quickly hidden away. They blamed the quiet affair on the huge debts that hung over Walsingham at his death, but Marlowe knows the truth.
The flickering candle drips hot balls of wax on to the plaque with its banal Latin inscription outlining what is public knowledge of the spymaster’s life. The playwright laughs bitterly at the volumes of truth that have been omitted.
Dropping to his knees, he finds the unmarked stone slab beside the final resting place of his former master’s son-in-law, Sir Philip Sidney. He sees that the other great men buried in the cathedral have towering alabaster monuments, but Walsingham’s grave is as he lived his life, unobtrusive, a shadow, easily missed.
From the sack tied to his side, Marlowe draws a pot of ink and, with his quill, begins to deface the