Sapiens: A Brief History of Humankind - Yuval Noah Harari Page 0,78

take into account the role of gold and silver, but we cannot disregard the equally crucial role of steel.

II

Imperial Visions

THE ANCIENT ROMANS WERE USED TO being defeated. Like the rulers of most of history’s great empires, they could lose battle after battle but still win the war. An empire that cannot sustain a blow and remain standing is not really an empire. Yet even the Romans found it hard to stomach the news arriving from northern Iberia in the middle of the second century BC. A small, insignificant mountain town called Numantia, inhabited by the peninsula’s native Celts, had dared to throw off the Roman yoke. Rome at the time was the unquestioned master of the entire Mediterranean basin, having vanquished the Macedonian and Seleucid empires, subjugated the proud city states of Greece, and turned Carthage into a smouldering ruin. The Numantians had nothing on their side but their fierce love of freedom and their inhospitable terrain. Yet they forced legion after legion to surrender or retreat in shame.

Eventually, in 134 BC, Roman patience snapped. The Senate decided to send Scipio Aemilianus, Rome’s foremost general and the man who had levelled Carthage, to take care of the Numantians. He was given a massive army of more than 30,000 soldiers. Scipio, who respected the fighting spirit and martial skill of the Numantians, preferred not to waste his soldiers in unnecessary combat. Instead, he encircled Numantia with a line of fortifications, blocking the town’s contact with the outside world. Hunger did his work for him. After more than a year, the food supply ran out. When the Numantians realised that all hope was lost, they burned down their town; according to Roman accounts, most of them killed themselves so as not to become Roman slaves.

Numantia later became a symbol of Spanish independence and courage. Miguel de Cervantes, the author of Don Quixote, wrote a tragedy called The Siege of Numantia which ends with the town’s destruction, but also with a vision of Spain’s future greatness. Poets composed paeans to its fierce defenders and painters committed majestic depictions of the siege to canvas. In 1882, its ruins were declared a national monument’ and became a pilgrimage site for Spanish patriots. In the 1950s and 1960s, the most popular comic books in Spain weren’t about Superman and Spiderman – they told of the adventures of El Jabato, an imaginary ancient Iberian hero who fought against the Roman oppressors. The ancient Numantians are to this day Spain’s paragons of heroism and patriotism, cast as role models for the country’s young people.

Yet Spanish patriots extol the Numantians in Spanish – a romance language that is a progeny of Scipio’s Latin. The Numantians spoke a now dead and lost Celtic language. Cervantes wrote The Siege of Numantia in Latin script, and the play follows Graeco-Roman artistic models. Numantia had no theatres. Spanish patriots who admire Numantian heroism tend also to be loyal followers of the Roman Catholic Church – don’t miss that first word – a church whose leader still sits in Rome and whose God prefers to be addressed in Latin. Similarly, modern Spanish law derives from Roman law; Spanish politics is built on Roman foundations; and Spanish cuisine and architecture owe a far greater debt to Roman legacies than to those of the Celts of Iberia. Nothing is really left of Numantia save ruins. Even its story has reached us thanks only to the writings of Roman historians. It was tailored to the tastes of Roman audiences which relished tales of freedom-loving barbarians. The victory of Rome over Numantia was so complete that the victors co-opted the very memory of the vanquished.

It’s not our kind of story. We like to see underdogs win. But there is no justice in history. Most past cultures have sooner or later fallen prey to the armies of some ruthless empire, which have consigned them to oblivion. Empires, too, ultimately fall, but they tend to leave behind rich and enduring legacies. Almost all people in the twenty-first century are the offspring of one empire or another.

What is an Empire?

An empire is a political order with two important characteristics. First, to qualify for that designation you have to rule over a significant number of distinct peoples, each possessing a different cultural identity and a separate territory. How many peoples exactly? Two or three is not sufficient. Twenty or thirty is plenty. The imperial threshold passes somewhere in between.

Second, empires are characterised by flexible borders and a potentially unlimited appetite. They can