He recalled that his shifu kept a secret book with brittle, yellowing pages and crude drawings, with coded writing. According to Grandma Yu, the book, Secrets of a Penal Office, had been passed down by a Ming Dynasty grandma; it comprised lists of punishments, their concrete applications, matters to take into consideration, and copious illustrations. In a word, it was a classic text for executioners. Shifu pointed out to him and his fellow apprentices an illustration and accompanying text that described in detail the particulars of the slicing death, of which there were three levels. The first level required 3,357 cuts. For the second level it was 2,896, and for the third, 1,585. Regardless of how many cuts there were to be, he recalled hearing Shifu say, the final cut was the one that ended the prisoner’s life. So when the cutting began, the spacing between cuts must be precisely designed to fit the sex and physique of the condemned individual. If the prisoner died before the required number of cuts had been reached or was still alive after, the executioner had not done his job well. His shifu said that the minimum standard for the slicing death was the proportional size of the flesh removed—when placed on a scale, there should be only minimal differences. To that end, during an execution, the man with the knife must have his emotions under complete control. His mind must be clear and focused, his hand ruthless and resolute; he must simultaneously be like a maiden practicing embroidery and a butcher slaughtering a mule. The slightest hesitancy or indecision, even a spur-of-the-moment thought, would affect the hand in unwanted ways. This, the pinnacle of achievement, was exceedingly difficult to attain. The musculature of a human being varies from spot to spot in density and coherence. Knowing where to insert the knife, and with how much pressure, requires a skill that, over time, had become second nature. Gifted executioners, such as Elder Gao Tao and Elder Zhang Tang, sliced not with a knife and not with their hands, but with their minds and their eyes. Among the thousands of slicing deaths carried out down through the ages, none, it seems, had achieved perfection and been worthy of the term “masterpiece.” In virtually every case, what was accomplished was merely the dissection of a living human being. That appeared to explain why fewer cuts were required for slicing deaths in recent years. In the current dynasty, five hundred was the apex. And yet, precious few executions lasted nearly that long. Board of Punishments executioners, in respectful devotion to the sacred nature of this ancient profession, performed their duties in accordance with established practices handed down over time. But at the provincial, prefectural, sub-prefectural, and county levels, dragons and fish were all jumbled together—the good mixed with the bad—and most practitioners were hacks and local riffraff who did shoddy work and exerted minimal effort. If on a prisoner sentenced to five hundred cuts they made it to two or three hundred, that was considered a success. Most of the time, they chopped the victim into several chunks and quickly put him out of his misery.
Zhao Jia flung the second piece of meat cut from Qian’s body to the ground. To an executioner, the second piece of the victim is a sacrifice to the earth.
When Zhao was displaying the piece of meat on the tip of his knife for all to see, he was, he felt, the central figure, while the tip of his knife and the flesh stuck on it were the center of that center. The eyes of everyone in attendance, from the supremely prideful Excellency Yuan down to the most junior soldier in the formation, followed the progress of his knife, or, more accurately, the progress of Qian’s flesh impaled on that knife. When Qian’s flesh flew into the air, the observers’ eyes followed its ascent; when Qian’s flesh was flung to the ground, the observers’ eyes followed its descent. According to his shifu, in slicing deaths of old, every piece of flesh cut from the victim was laid out on a specially prepared surface, so that when the execution was completed, the official observer, along with members of the victim’s family, could come forward to count. One piece too many or too few was a serious transgression. According to his master, one slapdash executioner of the Song Dynasty made one too many cuts, and the