You think too highly of yourselves. I’ll tell you why. He built it for me, as my Qingming gift. Go ask him if you don’t believe me. I took dog meat to him last night, and after our frolic in bed, he put his arms around me and said, ‘Tomorrow is Qingming, my pet, my precious, and I have built you a swing set on the Southern Academy parade ground. I know you once played the sword-and-horse role, so go out there and put your feet to work. You might not make a splash for all of Shandong, but for my sake make one for all of Gaomi County. Let those commoners know that Qian’s little pet is special, another Hua Mulan! Let them know that big feet are better than bound ones, and that Qian will change prevailing customs by prohibiting the practice of binding women’s feet.’
“I said, ‘Gandieh, you have been so sad about what happened to my dieh. You are taking a risk by protecting him. And when you are unhappy, I am in no mood for entertainments.’ Well, he kissed my foot and said with an emotional sigh:
“’Meiniang, my dearest, I want to use Qingming to sweep all gloomy, inauspicious signs out of the county. The dead cannot be brought back to life, but the living have a right to a little gaiety. No one sympathizes with a grumbler, who winds up being the butt of jokes. But if you square your shoulders and get tough, tougher than everyone else, ready to take them on, you’ll have them where you want them. Writers will put you in their books; playwrights will write plays about you. So climb onto those swings and show them what you’re made of. Ten years from now, the repertoire of that Maoqiang opera of yours might well include a play called Sun Meiniang Raises Eyebrows on a Swing!’
“’I may not be able to do much, Gandieh,’ I said as I lifted his beard with my feet, ‘but I will not cause you embarrassment when I am on the swing.’”
Holding the ropes with both hands, I squatted down, bent my legs, and stood on the balls of my feet; then, sticking my rear end out and leaning forward, I threw out my chest, raised my head, and, with my midriff as a fulcrum, began to swing. I pulled the ropes back toward me and, feet on the seat, again threw out my chest and raised my head, pushing with my legs, bent at the knees. The metal rings cried out with urgency as my swing gained momentum, higher, faster, steeper, harder, deeper; the taut ropes sang like the wind; the rings made a fearful noise. I was transported to a fairyland; I felt like a bird soaring aloft, my arms transformed into wings, feathers sprouting on my chest. At the summit, the swing and my body hung in the air together, while tides of ocean waves surged through my heart—swelling high, then falling low, one wave hard upon another, foam gathering in the air. Big fish chasing little fish, little fish chasing shrimp. Waa waa waa waa . . . higher higher higher, not yet high enough, just a little higher, a little more . . . my body laid out horizontally, my face bumped into the soft yellow belly of a curious swallow; I felt as if I were lying on a cushiony pad woven of wind and rain, and when I reached the highest possible point, I bit a flower off the tip of the highest branch of the oldest and tallest apricot tree around. Shouts erupted on the ground below. I was carefree, I was relaxed and at ease, I had achieved the Tao, I was an immortal . . . and then, a breach in the dam, the waters retreated, waves returning to sea, taking foam with them; big fish tugged on little fish, little fish dragged shrimps, la la la la, all in retreat. I reached bottom, and then flew up again. My head pitched back between the twin ropes as they grew taut again and trembled in my hands, and I was nearly parallel to the ground. I could see fresh soil where purple sprouts of new grass were beginning to poke through. The apricot blossom was still between my teeth, its subtle fragrance filling my nostrils.
All the while I was having a frisky good time on the swing, my earthbound audience, especially all those sons and