Ripped - Cassia Leo Page 0,58

my new best friend and soul mate.

I open the door of the dog crate and Skippy prances inside, quickly settling himself down on the plush green dog pillow. His furry black tail wags behind him, splashing in the bowl of water sitting on the floor at the back of the crate. I slip my hand into the wire enclosure and he gently licks the liver treat off my palm.

“Good boy, Skip,” I coo, scratching him behind the ears as he looks up at me with those wide chocolate-brown eyes that almost seem hazel against his black fur.

Skippy is my two-year-old black Labrador retriever, adopted from a local shelter when he was five months old and still small enough to fit in my backpack. Nowadays, Skip is a hefty sixty-eight pounds and he prefers riding in my car to riding on my back. When I’m not working, Skip and I do everything together. We frequent all the dog-friendly cafés in Goose Hollow and downtown Portland. We go to the dog park where he plays with his best friend, a four-year-old boxer named Greenland, and his girlfriend Nema, a two-year-old Portuguese water dog.

“I’ll be back in a few hours. Love you.”

His tongue laps at my palm in what I deem a show of affection or appreciation, but in reality he’s probably just trying to get the crumbs left behind by the liver treat. It’s easy to anthropomorphize our pets. We love them. We tend to assign human characteristics to almost anything we love. We name our pets, our cars, even our body parts, as if they have a life of their own. So what does it mean when we have trouble naming something? That we don’t love it? How about when you’re trying to name a piece of art?

This is one of the few topics that was never covered in college when I studied creative writing. How do you come up with a title for a book, a poem, a play? Is it the same way you name a baby or a pet? Do you pick your favorite title and stick with it? Or do you assign it a title that has a special meaning?

My mother likes to brag that she named me Aurora because I was conceived in Alaska under the northern lights. It’s a good story, whether or not it’s true. But it doesn’t help me one bit. I began writing my book five years ago on an uneventful day, under a cloudless summer sky while riding the train home from the University of Oregon.

Maybe I should name my book Uneventful Day. Yes, I’m sure readers would clamor to bookstores for that one.

Of course, that day was only uneventful because my life had blown up a week before and there was nothing good left to salvage from the wreckage. I had no choice but to head home for the summer with my head slung low and my tail between my legs.

I grab my bike helmet off the dining table, ignoring the car keys sitting in the glazed blue dish on the kitchen counter. A hacking sound gets my attention and I sigh when I see Skippy has vomited his morning meal onto the green doggy bed. I let him out of the crate and work as fast as I can to scrub most of the vomit off in the kitchen sink. Then I grab the old dog bed I keep in my closet as a spare and lay it down inside the crate.

After I call my mom and ask her to come check on Skippy while I’m gone, I head out the front door of my one-bedroom apartment in Goose Hollow, a small community in Southwest Portland with a spirited car-free culture. I get in the elevator and press the button for the lower terrace level. When the stainless steel doors slide open, I slip the helmet over my head and buckle it tightly under my chin, wincing as I pull one of my auburn hairs out of the clasp. It’s a beautiful August day in Portland, Oregon. Perfect day to ride to work.

I reach the bike storage room near the gym and laundry facilities, and enter my code on the digital padlock securing my bike to the wall rack. Pulling the bike off the wall, I double-check that the straps on my backpack are nice and tight. Then I hop on and set off toward the bridge. The vomiting incident has made me ten minutes late. I need to