The Reckoning - John Grisham Page 0,15

be done, though he would suggest it to no one. He would not complain, for he had learned the hard way that complaining often made matters worse.

Across the dark passageway another prisoner sat on his cot and dined under the dim glow of a bare bulb at the end of a cord. His name was Leon Colliver, a member of a family known for making good moonshine, a flask of which he had hidden under his cot. Twice throughout the afternoon Colliver had offered a swig to Pete, who declined. According to Colliver, he would be shipped out to the state penitentiary at Parchman, where he was scheduled to spend a few years. It would be his second visit there and he was looking forward to it. Any place was better than this dungeon. At Parchman, the inmates spent most of their time outdoors.

Colliver wanted to chat and was curious as to why Pete was in jail. As the day wore on, the gossip spread, even to the other four white inmates, and by dusk everyone knew Pete had killed the Methodist preacher. Colliver had plenty of time to talk and wanted some details. He got nothing. What Colliver didn’t know was that Pete Banning had been shot, beaten, starved, tortured, locked in barbed wire, ship hulls, boxcars, and POW camps, and one of many survival lessons he’d picked up during his ordeal was to never say much to a person you don’t know. Colliver got nothing.

After dinner, Nix Gridley appeared in the cell block and stopped at Pete’s cell. Pete stood and took three steps to the bars. In a voice that was almost a whisper, Gridley said, “Look, Pete, we got some nosy reporters pesterin’ us, hangin’ around the jail, wantin’ to talk to you, me, anybody who’ll engage them. Just want to make sure you have no interest.”

“I have no interest,” Pete said.

“They’re comin’ from all over—Tupelo, Jackson, Memphis.”

“I have no interest.”

“That’s what I figured. You doin’ all right back here?”

“Doin’ fine. I’ve seen worse.”

“I know. Look, Pete, just so you’ll know, I stopped this afternoon and had a word with Jackie Bell, at the parsonage. She’s holdin’ up okay, I guess. Kids are a mess, though.”

Pete glared at him without a trace of sympathy, though he thought about saying something smart like “Please give her my regards.” Or, “Aw shucks, tell her I’m sorry.” But he only frowned at the sheriff as if he were an idiot. Why tell me this?

When it was obvious Pete would not respond, Gridley backed away and said, “If you need anything, let me know.”

“Thanks.”

Chapter 5

At 4:00 a.m., Florry finally abandoned all efforts at sleep and went to the kitchen to make coffee. Marietta, who lived in the basement, heard noises and soon appeared in her nightshirt. Florry said she couldn’t sleep, didn’t need anything, and sent her back to her room. After two cups with sugar, and another round of tears, Florry bit her lip and decided the dreadful nightmare might inspire creativity. For an hour she fiddled with a poem but tossed it at dawn. She turned to nonfiction and began a diary dedicated to the tragedy in real time. She skipped a bath and breakfast and by 7:00 a.m. was in Clanton, at the home of Mildred Highlander, a widow who lived alone and was, as far as Florry knew, the only person in town who understood her poetry. Over hot tea and cheese biscuits, they talked of nothing but the nightmare.

Mildred took both the Tupelo and the Memphis morning papers and, expecting the worst, they were not disappointed. It was the lead story on the front page of the Tupelo paper with the headline “War Hero Arrested For Murder.” Memphis, with obviously less interest in what happened down in Mississippi, ran the story on the front page, metro section, under the headline “Popular Preacher Shot Dead At Church.” The facts varied little from one article to the other. Not a word from the suspect’s lawyer or any of the authorities. General shock around town.

The local paper, The Ford County Times, was a weekly that hit the stands early each Wednesday morning, so it missed the excitement by one day and would have to wait until the following week. Its photographer, though, had nailed Pete Banning as he walked into the jail, and the same photo was used by both the Memphis and the Tupelo papers. Pete, with three good-ole-boy cops in mismatching uniforms and hats, being

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