Ratcatcher - By Tim Stevens Page 0,79

armpit, the next cry of the owl off in the trees, the final chime of a clock striking the hour: all could provide a focus point for the launching of an attack. This time he was waiting for Elle’s shout, the sign that Abby had reached the point of safety.

And Elle’s voice came, high and clear against the thrumming of the rain, though it wasn’t the word they’d agreed – now – but rather one that while sounding similar carried an altogether more terrible significance.

‘No.’

THIRTY

Purkiss had once read about the intriguing hypothesis that time was an entirely human construct, and did not, in any valid sense, exist. Instead, what people regarded as units of time – minutes, seconds, moments or instants – were really quantum states that happened to be stacked up alongside one another in space (which did exist, provably), like the infinitesimally altered series of pictures that when run together tricked the human eye and became a cartoon.

He’d found the concept a tricky one to get to grips with. He came close to grasping it during the events that followed Elle’s cry. The free flow of time became a series of snapshot images that engrained themselves on his memory.

In the first picture, the two men immediately in front of him were bracing their bent legs and sighting horizontally down their arms, their eyes widened slightly, ready to fire imminently; but one of the men had his gaze fixed not on Purkiss’s face but on a point past his left shoulder.

In the next picture Purkiss, whose head was now turned slightly to the left, was looking at a human figure in the sparse trees over to his left, a black-clad man with a rifle gripped in his hands, not Kendrick. In the corner of his vision was Abby’s small figure.

In the third picture the man among the trees had lifted the rifle and was taking aim at a point off to Purkiss’s left, while a second man beside him held a pistol in a two-handed grip and aimed in the same direction. Still on the periphery of Purkiss’s visual field, Abby’s leg was extended behind her in the first thrust of a running movement.

Picture number four: Purkiss was in the middle of a lunge towards the trees and the men among the trees were larger and one, the man with the handgun, was facing Purkiss, his mouth an O of surprise and anger, his gun arm lagging and still pointed away. In the left corner of the visual field Abby was several yards further with her run. On the right, one of the two gunmen towards whom Purkiss had been walking was airborne, diving towards him at an angle to head him off.

In the fifth picture, Purkiss was half-turned towards the man diving from his right, his fist inches past the man’s jaw. The man’s head was snapped sideways, while among the trees the men were looking back in Abby’s direction.

In the sixth picture Purkiss was almost at the trees. The man with the rifle was ducking and looking askance at the other man, the one with the handgun in the two-handed grip, whose head was shearing in a fan of blood and bone.

In the seventh picture Purkiss was on the ground, felled, and looking with his head to one side along the expanse of lawn and path away from the tower. Far on the edge of the pool of light was Kendrick, tiny and beetly at this distance, his mouth stretched wide, the flash from his gun’s muzzle a bright star above his hands.

In the eighth picture Purkiss, still on the ground, saw beyond the towering forest of lawn grass Abby’s shape suspended in the air, legs buckled and hands still trussed behind her.

In the ninth and final picture: the same landscape of grass blades made huge by nearness, but no people.

No Abby.

*

The Jacobin wanted to seize him by the lapels.

‘What are you doing?’

Kuznetsov ignored him, shouted an order. Two of the men, running at a crouch, moved in, the others provising covering fire.

‘Shoot him there.’

Again Kuznetsov ignored him. The Jacobin backed away several steps around the curve of the tower, away from the crashing of the guns, the screaming. He kept his eyes on the tableau. Elle was out of sight, having retreated over the crest of the hill, driven back by the barrage of gunfire. The man, Purkiss’s other friend, was somewhere over to the right, lost in the trees. The Jacobin had seen the man’s