The characters and events in this novel are fictional. The background, however, is real, and I am indebted to those who generously helped to fill it in for me. In a few instances I have taken what I believe to be necessary dramatic license. Any legal or factual errors are mine alone.
My deep gratitude for sharing with me their courtroom lives and experiences goes to F. Lee Bailey, Melvin Belli, Paul Caruso, William Hundley, Luke McKissack, Louis Nizer, Jerome Shestack and Peter Taft.
In California, the Honorable Wm. Matthew Byrne, of the United States District Court, was most helpful.
In New York, I owe special thanks to Phil Leshin, former Assistant Commissioner for Public Affairs of the New York City Department of Correction, for escorting me through Riker’s Island; and to Pat Perry, the Assistant Deputy Warden at Riker’s Island.
Barry Dastin’s legal supervision and counsel have proved invaluable.
My appreciation to Alice Fisher for her assistance in researching this book.
And finally, a thank you to Catherine Munro, who patiently and cheerfully transcribed and typed what began as a thousand-page manuscript, more than a dozen times over a period of almost three years.
—SIDNEY SHELDON
BOOK I
1
New York: September 4, 1969
The hunters were closing in for the kill.
Two thousand years ago in Rome, the contest would have been staged at the Circus Neronis or the Colosseum, where voracious lions would have been stalking the victim in an arena of blood and sand, eager to tear him to pieces. But this was the civilized twentieth century, and the circus was being staged in the Criminal Courts Building of downtown Manhattan, Courtroom Number 16.
In place of Suetonius was a court stenographer, to record the event for posterity, and there were dozens of members of the press and visitors attracted by the daily headlines about the murder trial, who queued up outside the courtroom at seven o’clock in the morning to be assured of a seat.
The quarry, Michael Moretti, sat at the defendant’s table, a silent, handsome man in his early thirties. He was tall and lean, with a face formed of converging planes that gave him a rugged, feral look. He had fashionably styled black hair, a prominent chin with an unexpected dimple in it and deeply set olive-black eyes. He wore a tailored gray suit, a light blue shirt with a darker blue silk tie, and polished, custommade shoes. Except for his eyes, which constantly swept over the courtroom, Michael Moretti was still.
The lion attacking him was Robert Di Silva, the fiery District Attorney for the County of New York, representative of The People. If Michael Moretti radiated stillness, Robert Di Silva radiated dynamic movement; he went through life as though he were five minutes late for an appointment. He was in constant motion, shadowboxing with invisible opponents. He was short and powerfully built, with an unfashionable graying crew cut. Di Silva had been a boxer in his youth and his nose and face bore the scars of it. He had once killed a man in the ring and he had never regretted it. In the years since then, he had yet to learn compassion.
Robert Di Silva was a fiercely ambitious man who had fought his way up to his present position with neither money nor connections to help him. During his climb, he had assumed the veneer of a civilized servant of the people; but underneath, he was a gutter fighter, a man who neither forgot nor forgave.
Under ordinary circumstances, District Attorney Di Silva would not have been in this courtroom on this day. He had a large staff, and any one of his senior assistants was capable of prosecuting this case. But Di Silva had known from the beginning that he was going to handle the Moretti case himself.
Michael Moretti was front-page news, the son-in-law of Antonio Granelli, capo di capi, head of the largest of the five eastern Mafia Families. Antonio Granelli was getting old and the street word was that Michael Moretti was being groomed to take his father-in-law’s place. Moretti had been involved in dozens of crimes ranging from mayhem to murder, but no district attorney had ever been able to prove anything. There were too many careful layers between Moretti and those who carried out his orders. Di Silva himself had spent three frustrating years trying to get evidence against Moretti. Then, suddenly, Di Silva had gotten lucky.
Camillo Stela, one of Moretti’s soldati, had been caught in a murder committed during a robbery. In exchange for his life, Stela agreed to