Queen of Shadows (Throne of Glass #4) - Sarah J. Maas Page 0,55

black powder, coating the floor with it—representing ashes of the fallen, probably. One by one, they made pretty little spins and bowed before the king and his son.

Time to move. The king was distracted by a uniformed guard whispering in his ear; the prince was watching the dancers with bored disinterest, and the queen was chatting with whichever courtier she favored that day.

The crowd clapped and cooed over the unfolding performance. They’d all come in their finery—such careless wealth. The blood of an empire had paid for those jewels and silks. The blood of his people.

An extra dancer was moving through the crowd: some understudy, no doubt trying to get a better view of the performance. And he might not have thought twice about it, had she not been taller than the others—bigger, curvier, her shoulders broader. She moved more heavily, as if somehow rooted innately to the earth. The light hit her, shining through the lace of the costume’s sleeves to reveal swirls and whorls of markings on her skin. Identical to the paint on the dancers’ arms and chests, save for her back, where the paint was a little darker, a little different.

Dancers like that didn’t have tattoos.

Before he could see more, between one breath and the next, as a cluster of ladies in massive ball gowns blocked her from sight, she vanished behind a curtained-off doorway, walking right past the guards with a sheepish smile, as if she were lost.

When she emerged again not a minute later, he only knew it was her from the build, the height. The makeup was gone, and her flowing tulle skirt had disappeared—

No—not disappeared, he realized as she slipped back through the doorway without the guards so much as looking at her. The skirt had been reversed into a silken cape, its hood covering her ruddy brown hair, and she moved … moved like a swaggering man, parading for the ladies around him.

Moved closer to him. To the stage.

The dancers were still tossing their black powder everywhere, circling around and around, flitting their way across the marble floor.

None of the guards noticed the dancer-turned-noble prowling toward him. One of the courtiers did—but not to cry an alarm. Instead, he shouted a name—a man’s name. And the dancer in disguise turned, lifting a hand in greeting toward the man who’d called and giving a cocky grin.

She wasn’t just in disguise. She’d become someone else completely.

Closer and closer she strutted, the music from the gallery orchestra rising into a clashing, vibrant finale, each note higher than the last as the dancers raised their glass roses above their heads: a tribute to the king, to Death.

The disguised dancer stopped outside the ring of guards flanking Aedion’s stage, patting herself down as if checking for a handkerchief that had gone missing, muttering a string of curses.

An ordinary, believable pause—no cause for alarm. The guards went back to watching the dancers.

But the dancer looked up at Aedion beneath lowered brows. Even disguised as an aristo man, there was wicked, vicious triumph in her turquoise-and-gold eyes.

Behind them, across the hall, the dancers shattered their roses on the floor, and Aedion grinned at his queen as the entire world went to hell.

18

It wasn’t just the glass flowers that had been rigged with a reactive powder, quietly purchased by Aelin at the Shadow Market. Every bit of sparkling dust the dancers had tossed about had been full of it. And it was worth every damned silver she’d spent as smoke erupted through the room, igniting the powder they’d been scattering everywhere.

The smoke was so thick she could barely see more than a foot ahead, and blended perfectly with the gray cloak that had doubled as the skirt of her costume. Just as Arobynn had suggested.

Screaming halted the music. Aelin was already moving for the nearby stage as the clock tower—that clock tower that would save or damn them all—struck noon.

There was no black collar around Aedion’s neck, and that was all she needed to see, even as relief threatened to wobble her knees. Before the clock’s first strike finished, she had drawn the daggers built into the bodice of her costume—all the silver thread and beading masking the steel on her—and slashed one across the throat of the nearest guard.

Aelin spun and shoved him into the man closest to him as she plunged her other blade deep into the gut of a third.

Florine’s voice rose above the crowd, ushering her dancers out-out-out.

The second strike of the clock tower sounded,