Pretty Things - Janelle Brown

Prologue

WHEN A BODY GOES DOWN in Lake Tahoe, they say, it does not rise again. The frigid temperature of the lake, its vast depths, conspire to keep bacteria at bay. What once was human fails to decompose. Instead, the body is doomed to drift along the lake bed, in perpetual limbo; just more organic matter joining the mysterious menagerie that lives in Tahoe’s uncharted depths.

In death, there is no disparity.

Lake Tahoe is over a quarter mile deep and two million years old. Locals have laid claim to a fistful of superlatives: Their lake is one of the deepest in America, the purest, the bluest, the coldest, the oldest. No one really knows what’s at the bottom of that water, but everyone is sure it’s something dark and enigmatic. There are myths about a Loch Ness monster–like creature called Tahoe Tessie, which no one really takes seriously even though Tessie sells a lot of T-shirts. But deep-sea cameras have also captured mysterious fish on the lake bed, 1,600 feet down: creatures pale white and shark-like, evolved to withstand the near-freezing temperatures, their blood slowing to a crawl in their veins. Creatures perhaps as old as the lake itself.

And then there are other stories: Stories about how the lake was used by the Mafia as a dumping ground for its victims, back when they controlled the Nevada casinos. Stories about the Gold Rush railroad barons who considered the lake a convenient mass grave for the Chinese migrant workers they worked to death building the tracks over the Sierras. Stories about vengeful wives, cops gone bad, killing trails that led to the lake’s edge and then went cold. Kids tell each other bedtime stories about corpses bumping along the bottom of the lake, eyes open, hair floating, in permanent limbo.

* * *

Above the surface of the lake, the snow is softly falling. Below, the body drifts slowly down, lifeless eyes lifted toward the vanishing light, until it sinks into darkness and is gone.

1.

THE NIGHTCLUB IS A TEMPLE, devoted to the sacred worship of indulgence. Inside these walls there is no judgment: You’ll find no populists, no protestors, no spoilsports who might ruin the fun. (The velvet ropes out front stand sentry against all that.) Instead, there are girls in fur and designer silk, swanning and preening like exotic birds, and men with diamonds in their teeth. There are fireworks erupting from bottles of thousand-dollar vodka. There is marble and leather and brass that is polished until it gleams like gold.

The DJ drops a bass beat. The dancers cheer. They lift their phones toward the sky and vamp and click, because if this is a church then social media is their scripture; and that tiny screen is how they deify themselves.

Here they are: the one percent. The young and ultra-rich. Billionaire babies, millionaire millennials, fabu-grammers. “Influencers.” They have it all and they want the whole world to know. Pretty things, so many pretty things in the world; and we get them all, says their every Instagram photo. Covet this life, for it is the best life, and we are #blessed.

Out there, in the middle of it all, is a woman. She’s dancing with abandon in a spot where the light hits her just so and glimmers on her skin. A faint sheen of sweat dampens her face; her glossy dark hair whips around her face as she swivels her body to the grinding beat. The waitresses headed to the bottle-service tables have to maneuver around her, the fizzing sparklers on their trays in danger of setting the woman’s hair alight. Just another L.A. party girl, looking for a good time.

Look close, though, and you can see that her half-closed eyes are sharp and alert, dark with watching. She is watching one person in particular, a man at a table a few feet away.

The man is drunk. He lounges in a booth with a group of male friends—gelled hair, leather jackets, Gucci sunglasses at night; twentysomethings who shout over the music in broken English and baldly leer at the women who careen past. Occasionally, this man will plunge his face to the table to do a line of cocaine, narrowly missing the flotilla of empty glasses that litter its surface. When a

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