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the angels on the battlements. But no, that's not right. They had wings and he didn't. I wanted him to go. He was getting bigger, you see. No, I don't quite mean that. He was getting clearer and his voice was too. He never said anything terrible like I was to harm someone but I kept thinking he'd start. I thought that if he – well, went on getting bigger and louder and stronger he'd take me over, he'd take this place over.

'I once saw a picture. It was an illustration for Alice in Wonderland. I was only about eight or nine. Alice had drunk something and it made her grow big. She grew huge till she filled the house, she had to lie down, her arms and legs couldn't get through the doors. I don't know why but that picture frightened me terribly. I screamed when I first saw it and I couldn't get it out of my head. That was how I was starting to feel about Mithras, that he'd get so big he'd never be able to get out. He'd take me over, kind of absorb me. I knew I'd have to do something.'

'What did you do?' she asked, although she guessed.

'I thought that if I had another near-death experience I'd go back to that place, the river and the meadows and the city at the end of it, I mean. I'd see all those white walls like castle walls and see the angels walking there. And Mithras would come with me, he would, he'd want to because it was the only way for him to get back there. And he'd stay. He'd be happy and I'd be free.'

'So you took the pills and the vodka to get yourself near death?'

'That's what I did. I told Mithras to come with me and he came, I think he did, and when I started to leave again I think I left him behind but I don't know. I didn't see the city or the river or the sunshine, Ella. It was all dark with kind of moving shapes, vague dark shapes moving in the dark. I talked to you out of the dark and then I – then I sort of passed out. Now I keep looking for Mithras but I can't see him and it's only in the night time that I hear his voice. It's coming from a long long way off so I know he's talking to me from the city.'

She sat quite still, feeling a kind of despair. There was nothing to say.

'I went to all that trouble to take him back,' Joel said, 'but now he's gone, I half want him back. I miss him.' He lifted to her an abject little boy's face and met her eyes for the first time since she arrived there. 'I'm so lonely, Ella.'

She reached for his hand but thinking this inadequate for his great need, got up, sat beside him and took him in her arms. Holding him, she felt his heart beating against her as if he were more afraid than she was.

CHAPTER TWENTY-THREE

Once more they were out on the balcony, watching the roadway. A crowd of gesticulating men ran about shouting at the driver of an articulated truck, which had wedged itself between a bendy bus and a concrete mixer. Lance's nan had let him in before rushing back to her ringside seat, anxious not to miss more than a minute of the sitcom currently being enacted in the Harrow Road. Lance followed her out there. His hospitable grandmother had already poured him a large glass of Pino Grigio. Enthralled by the sight of the lorry driver landing a mighty punch on the bus driver's jaw, Dave passed Lance the crisps without turning round.

His nan leant over the railing and began yelling at the lorry driver. 'Give him another, mate! Them bendy buses are a menace! They think they own the bloody road.' Spectators in the street turned their faces upwards as one. 'Who d'you think you're looking at?'

'Cool it now, Kath,' said Dave, as police sirens sounded coming closer. 'You calm down. We don't want no trouble.'

Lance looked at him admiringly. Dave seemed to be the only one he had ever come across, within the family or outside it, able to exert any sort of control over his nan. Two officers had got out of their car and strolled over to the men who had moved into a stand-off. Things quickly quietened down as

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