The Poet (Samantha Jazz Series #1) - Lisa Renee Jones Page 0,46
ex-military. He’s told me stories about how easily drugs, all drugs, were acquired in certain countries.”
Ex-military. I consider that. It should feel right. He’s clean. He’s disciplined. He’d fit that profile, and yet it doesn’t feel right. “I’ll look into it,” I promise.
Leaving her to work, I begin a walk-through of the room, but I already know that I won’t find anything worth seeing. Neither will CSI. The Poet’s outsmarting us, and that has to change. I step in front of the one window in the room, with a large frame that a large man could enter, but I rule that out as an entry point immediately. The Poet entered like he owned the place, and that would not be through a window.
I start to move away from the glass when a shadow passes on the other side. I stand stone still, staring out of that window, waiting for another movement.
Hazel’s words come back to me. This one’s fresh. I don’t know if I saw something in the shadows or not, but he’s still here. The Poet is still here.
Chapter 39
I turn away from the window, and without a word, I walk past Hazel, exiting the bedroom to find Officer Jackson missing. Ironically, after chasing down Hazel for ignoring instructions, he’s ignored mine. I stalk down the hallway to the living room, where I count five CSI techs working in the house. Scooping the poem from inside my bag, I hand it to one of the techs. “Log this into evidence. Carefully.” Once I have his agreement, I point at the room. “He’s killed before,” I call out to them all. “He thinks he’s better than you. Make sure he’s not.”
Murmurs follow me as I exit to the porch, where another officer—not Jackson—is guarding the door. I don’t ask about Jackson. I don’t have time for his nonsense right now. I yank off my gloves and booties and bag them before handing them off to him. “Stick them in evidence.” It’s something I learned from my father, who once found trace evidence on a glove that solved a case.
He’s barely taken them from me, and then I’m walking down the stairs, the shock of going from the cold house and into the hot night flushing my skin. Police lights rotate along the perimeter of the property, the sirens silent, but voices rumble in the distance. I cut right toward the side of the house, adrenaline surging through me, but I’m practiced at controlling how I respond to its sensation. Almost automatically at this stage of my career, I draw my weapon and flashlight, their weight in my hands easy and familiar, even comforting. Slowly, calculated like our Poet, I walk around the house, where CSI is hard at work.
“Detective Jazz,” I call out to them. “I’m the detective in charge. Is anyone working the back of the house?”
“Not yet,” one of the techs calls out. “We’re working together, from one side to the other. Do you need a change in plan?”
“No. I just needed to know the plan.” And who was behind the house, I think, since it doesn’t appear to have been one of us. I mean it could be Jackson, but I don’t think he’d go rogue and step out of his lane, plus CSI would have mentioned him passing by. I keep walking, bypassing a request for light that will risk driving The Poet away. At the edge of the house, I flatten on the wall, pausing there, and inching my way around to the rear, just enough to scan the darkness and search for movement. I find nothing, but I know what I saw in the window. I know what I felt when I saw it, too. He’s here and he’s waiting for me but he doesn’t plan to kill me.
Taunt me, though?
That’s another story.
With my flashlight on high, I boldly step around the house, shining the light into the darkness. The wind is absent, the night still but for the creep of death everywhere, an odd contrast to the sticky sweet honeysuckle of a nearby bush. Slowly, I move my flashlight over the yard, and when I land on the bushes that divide the house from an apartment complex, I suck in a slow breath, my heart thundering in my chest and swishing in my ears.
A man in a hoodie and a baseball cap stands there, waiting for me, his face shrouded in shadows.